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K-hole:
A word coined by users of the illegal date-rape drug Ketamine to describe the effect of dissociation of the mind from the body. Ketamine , also known as Special-K / Vitamin-K / K / Cat / Ketaset / Vetalar , works much like LSD or PCP and produces similar side-effects.


See Also: hole, arsehole, comprehensive physician, mouth, meatus urinarius, meatus, external urinary meatus, A-hole, urethral meatus, urethral orifice, urethral opening, whole voyage, wholesale, urinal sniffer, pit, chemise cagoule, butthole, black box, black ring, geegee (hole), gigi (hole), joy box, joy spot, north pole, poopshoote, poop-chute, piss hole, fuckhole, eye-hole, piss slit, pisser, pee-pee hole, pee-hole, holer, snapping turtle, snap it, soul case, spice island, staff-breaker, stink pot, stinkpot, place, Holland, holy-of-holies, fucks anything on two legs, gammon flaps, gammon goalposts, make a pit stop, needle, nooky, nookey, peephole, A.H., pranny, prick-skinner, prick-scourer, putter in the hole, queen of holes, rough-o, scuttle, snapping pussy, fuck-hole, fucks anything with a hole in it, cornhole, crapper dick, dark star, dark, gloryhole, go the whole way, grostulation, growler, gully, hole it, blow hole, bunghole, batty, bauble, bawble, biting dog, butterfly board, buttonhole, calk, caulk, cave of harmony, choccy, clamp it silly, ace,

Quotes Containing K-hole:
Mark Twain, The American Claimant: ''Whatever a man''s age , he can reduce it several years by putting a bright-colored flower in his button-hole.''
Eleanor Lightbody (Bridget Fonda) in The Road to Wellville (1994): ''I wanted to be more than a hole in the mattress that answers to a name.''
Eleanor Lightbody (Bridget Fonda) in The Road to Wellville (1994): ''I wanted to be more than a hole in the mattress that answers to a name.''
Daryl Van Horne (Jack Nicholson) in The Witches of Eastwick (1987): ''A woman is a hole! Isn''t that what they say? All the futility of the world pouring into her.''
Daryl Van Horne (Jack Nicholson) in The Witches of Eastwick (1987): ''A woman is a hole! Isn''t that what they say? All the futility of the world pouring into her.''
Forrest (Rachel Ward) to Rigby Reardon (Steve Martin) in Dead Men Don''t Wear Plaid (1982): ''If you need me, just call. You know how to dial, don''t you? You just put your finger in the hole and make tiny little circles. ''
Clarence Oddbody (Henry Travers) to George Bailey (James Stewart) It''s a Wonderful Life (1946): ''Strange, isn''t it? Each man''s life touches so many other lives. And when he''s not around, it leaves an awful hole , doesn''t it?''
Juliet Forrest (Rachel Ward) to Rigby Reardon (Steve Martin) in Dead Men Don''t Wear Plaid (1982): ''If you need me, just call. You know how to dial, don''t you? You just put your finger in the hole and make tiny little circles. ''
Juliet Forrest (Rachel Ward) to Rigby Reardon (Steve Martin) in Dead Men Don''t Wear Plaid (1982): ''If you need me, just call. You know how to dial, don''t you? You just put your finger in the hole and make tiny little circles. ''
Daryl Van Horne (Jack Nicholson) in The Witches of Eastwick (1987): ''A woman is a hole! Isn''t that what they say? All the futility of the world pouring into her.''
'A woman is a hole! Isn't that what they say? All the futility of the world pouring into her.' Daryl Van Horne (Jack Nicholson) in The Witches of Eastwick (1987)
'If you need me, just call. You know how to dial, don't you? You just put your finger in the hole and make tiny little circles. ' Juliet Forrest (Rachel Ward) to Rigby Reardon (Steve Martin) in Dead Men Don't Wear Plaid (1982)
Lawrence Paros. The Erotic Tongue (1984): 'Nobody really knows where the hole came from, though Captain Grose, the roguish eighteenth- century lexicographer, had his own ideas about it . His version opens with an angel who had been employed in forming women, forgetting to cut off their parts-of-generation . Enter Lucifer who took it upon himself to set matters right. Taking a somewhat direct approach to the problem, he placed himself in a sawpit with a scythe fixed to a stick in his hand and directed the women to straddle the pit . He then gave each the mark-of-the-beast (c. 1715). The pit being too deep for the length of his instrument , tall women received only a moderate scratch , but little women, because their legs were so short and more within his reach, received a somewhat larger cut . The long and the short of it? They both went home with an everlasting-wound (17th C), known in some quarters as the divine-scar (18th C). The Devil, henceforth, was to be known as Old Nick or Ole Scratch; and the c**t [cunt, as slit (17th-20th C), nick , and gash (both 16th-20thC).'


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