The Language of Love, Lust, Sex

and All the Many-Splendored Things in Between in Teenspeak - Jockspeak - Menglish - Slanglish - Spanglish Gaylese - Americanese - Britspeak - Ozslang - Funetic Populo-Vulgar Speech - T-Shirt & Net Shorthand Pompo-Verbosity & other Figurative Lingos
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SO:
Internet and Usenet acronym for Significant Other.


See Also: batty rider, compulsion, love cracked, itchy-scratchies, lap bugs, Madam Ran, papillon d'amour, pimples and penetration, enviable disease, erected spermapositor, crotch critters, crotch monkeys, crotch crickets, cunted, Disneyland daddy, cab-joint, callicacia, climb trees to get away from it, cock and ball bondage, air dance, P and P, souvenir, spermapositor, transdetector, whites, the, wienie wagger, Yankee heaven, zoo daddy, yield one's favors, draggle-tail, guttersnipe, have a little death, heaven, little death, coital alignment technique, tool, sexual relations, Six-o-Six, Snaky-Lick Trick, Song of Songs, Song of Solomon, spare tire, pangendered, turpicunnia, turtle head, two-bagger, volunteer bias, well-equipped, storm and stripes, stroke, S-word, sword swallower, tongue, Xerox queen, come-on boy, comfort zone, Canticle of Canticles, cat-o-nine-tails, chain sex, cheese and kisses, double bagger, 606, abbess, cyberfeminism, debauchee, amphierotic, anatomically correct, animal training, apples, automonosexualism, back teeth are afloat, back teeth are floating, bastinado, beat the meat, Beaulah, better half, bobby's helmet, bosom buddies, bosom friends, bosom chums, break wind, brown bag special, brown word, bump pelvis, Lord knows where, lovesick, lipstick lesbian, Kama Sutra, plow, plough, polygendered, rantallion, seven year itch, male climacteric, nancy, nance, omnigendered, hit the sheets, honeymoon bladder, honeymoon cystitis, hymenorrhaphy, IM, hatchway, hatch, drabbing, dusters, fart, female come, female ejaculation, go tiki, goofy about, gooey about, goofy,

Quotes Containing SO:
Ford Fairlane (Andrew Dice Clay) in The Adventures of Ford Fairlane (1990): ''So many assholes. .. so few bullets .''
Henny Youngman: ''I''ve kissed so many women I can do-it with my eyes closed.''
Florenz Ziegfeld (William Powell) to Jack Billings (Frank Morgan) in The Great Ziegfeld (1936): ''Why is it , Jack, that in a world so old life must be so short?''
Donald (Jackie Vernon) in Microwave Massacre (1983): 'I'm so hungry I could eat a whore .'
Lena Yakushova 'Ninotchka' (Greta Garbo) and Count Leon Bressart (Melvyn Douglas) in Ninotchka (1939): - Ninotchka: 'What have you done for mankind?' - Count Leon: 'Not so much for mankind ; for womankind, my record isn't quite so bleak.'
Lola Brewster (Kim Novak) to Marina Rudd (Elizabeth Taylor) in The Mirror Crack'd (1980): 'I'm so glad to see you. Not only have you kept your gorgeous figure but you added so much to it .'
Gwyn (Sarah Jessica Parker) at the end of Miami Rhapsody (1994): 'I guess I look at marriage sort of the same way I look at Miami: It's hot and it's stormy and it's, you know , it's occasionally a little dangerous, but if it's really so awful then why is there still so much traffic?'
Gwyn (Sarah Jessica Parker) at the end of Miami Rhapsody (1994): 'I guess I look at marriage sort of the same way I look at Miami: It's hot and it's stormy and it's, you know , it's occasionally a little dangerous, but if it's really so awful then why is there still so much traffic?'
Gilda Mundson (Rita Hayworth) to Johnny Farrell (Glenn Ford) in Gilda (1946): ''Hate is a very exciting emotion. Haven''t you noticed? Very exciting. I hate you too, Johnny. I hate you so much I think I''m going to die from it ... darling .'' Johnny feels the same way : ''I hated her so I couldn''t get her out of my mind for a minute.''
Lola Brewster (Kim Novak) to Marina Rudd (Elizabeth Taylor) in The Mirror Crack''d (1980): ''I''m so glad to see you. Not only have you kept your gorgeous figure but you added so much to it .''
Professor Henry Higgins (Leslie Howard) speaking of Eliza Doolittle (Wendy Hiller) in Pygmalion (1938): ''She''s so deliciously low, so horribly dirty (...) I shall make a duchess of this draggle-tailed guttersnipe .''
Edwina Cutwater (Lily Tomlin) and Roger Cobb (Steve Martin) sharing the same body in All of Me (1984): - Edwina: 'What's so important about sex?' - Roger: 'That's like saying: what's so important about laughing or Duke Ellington or the World Series? It's one-of-those things that makes you feel like you're really living, like you're glad to be alive.' - Edwina: 'I am already glad to be alive. I don't need to play-tonsil-hockey with some English tart to feel good.'
Pacey Witter (Joshua Jackson) and Andres McPhee (Meredith Monroe) in the TV series Dawson?s Creek (1998): - Pacey: 'Your sincerity is so appealingly sexy .' - Andie: 'And your sexiness is so appealingly sincere.'
Eugene Morgan (Joseph Cotten) to Isabel Amberson (Dolores Costello) whose son George (Tim Holt) opposes their relationship in The Magnificient Ambersons (1942): ''I don''t think he''ll change. At 21 or 22, so many things appear solid, permanent, untenable which 40 sees as nothing but disappearing miasma. 40 can''t tell 20 about this. 20 can find out only by getting to be 40. So we come to this dear. Will you live your life your way or George''s way?''
Lucky Day (Steve Martin) to El Guapo (Alfonso Arau) in Three Amigos! (1986): ''Not so fast El Guapo or I''ll fill you so full of lead you''ll be using your dick for a pencil .''
Paula (Lana Turner) and Jonny (Clark Gable) in Somewhere I''ll Find You (1942): - Paula Lane: ''Any gal that listens to the howl of a wolf is a gonner.'' - Jonny Davis: ''Little Riding Hood didn''t do so bad .'' - Paula Lane: ''She didn''t do so good either... ''til she got wise.''
Gilda Mundson (Rita Hayworth) and Uncle Pio (Steven Geray) in Gilda (1946): - Gilda: ''Got a light?'' - Pio:''Yes, Mrs. Mundson. It''s so crowded and yet so lonely, isn''t it?'' - Gilda: ''How did you know?'' - Pio:''You smoke too much. I noticed. Only frustrated people smoke too much and only lonely people are frustrated.''
''My understanding of women goes only so far as the pleasures.'' Alfie (Michael Caine) in Alfie (1966)
''My understanding of women goes only so far as the pleasures.'' Alfie (Michael Caine) in Alfie (1966)
Mrs. Ditmeyer (Jean Smart) slipping a letter (and her hand) into Greg Brady's (Christopher Daniel Barnes) pocket in The Brady Bunch Movie (1994). - Mrs. Ditmeyer: 'Your hands are full. Let me. My! You've gotten so big. You're almost as big as your daddy .' - Greg Brady: 'And I'm still growing.' - Mrs. Ditmeyer: 'Right before my very eyes . Your pants are so tight.'
Dick Pepper (Gig Young) explaining to his Augie Pool (Richard Widmark) the the guilt of the philandering husband in The Tunnel of Love (1958): - Dick: ''Every time it''s over I have a terrific sense of guilt.'' - Augie: ''Oh, but you wait until it''s over, hum?'' - Dick: ''Sure. I feel I deserve this guilt. When I don''t have it I''m uncomfortable so I try to recapture the guilt by chasing around.'' - Augia: ''So why do you keep chasing around then if it''s that much trouble?'' - Dick: ''I''ve got to get back to that feeling of guilt. (...) I have to suffer for chasing around.''
''She''s so anally retentive she wouldn''t sit down for fear of sucking up the furniture.'' Patsy Stone (Joanna Lumley) in Absolutely Fabulous (1992)
''She''s so anally retentive she wouldn''t sit down for fear of sucking up the furniture.'' Patsy Stone (Joanna Lumley) in Absolutely Fabulous (1992)
Anna (Greta Garbo) to Alexei Vronsky (Fredric March) in Anna Karenina (1935): ''We''ll be punished for being so happy.''
''My understanding of women goes only so far as the pleasures.'' Alfie (Michael Caine) in Alfie (1966)
Sung by Johnny Depp as Cry-Baby (1990): ''We love being bad because it feels so good.''
Sung by Johnny Depp as Cry-Baby (1990): ''We love being bad because it feels so good.''
Sung by Johnny Depp as Cry-Baby (1990): ''We love being bad because it feels so good.''
Queen Doris (Susan Tyrrell) in Forbidden Zone (1980): ''Why does it feel so good to be sooooo bad?''
Queen Doris (Susan Tyrrell) in Forbidden Zone (1980): ''Why does it feel so good to be sooooo bad?''
Queen Doris (Susan Tyrrell) in Forbidden Zone (1980): ''Why does it feel so good to be sooooo bad?''
Sung by Johnny Depp as Cry-Baby (1990): ''We love being bad because it feels so good.''
Queen Doris (Susan Tyrrell) in Forbidden Zone (1980): ''Why does it feel so good to be sooooo bad?''
Billie Dawn (Melanie Griffith) to Paul Verral (Don Johnson) in Born Yesterday (1993): ''He still thinks I''m a bimbo from Vegas and so do you.''
Brian Slade (Jonathan Rhys-Meyers) in Velvet Goldmine (1998): 'Nothing makes one so vain as being told one is a sinner!'
Vera (Della Reese), a madam in Harlem Nights (1989): ''I have a girl whose pussy is so good, if you threw it up in the air, it would turn into sunshine.''
Dick Pepper (Gig Young) explaining to his friend Augie Pool (Richard Widmark) the vicious-circle of guilt of the philandering husband in The Tunnel of Love (1958): - Dick: ''Every time it''s over I have a terrific sense of guilt.'' - Augie: ''Oh, but you wait until it''s over, hum?'' - Dick: ''Sure. I feel I deserve this guilt. When I don''t have it I''m uncomfortable so I try to recapture the guilt by chasing around.'' - Augie: ''So why do you keep chasing around then if it''s that much trouble?'' - Dick: ''I''ve got to get back to that feeling of guilt. (...) I have to suffer for chasing around.''
Sung by the chorus in 42nd Street (1933): ''Matrimony is baloney . She''ll be wanting alimony in a year or so.''
Vera (Della Reese), a madam in Harlem Nights (1989): ''I have a girl whose pussy is so good, if you threw it up in the air, it would turn into sunshine.''
Lancelot (Richard Gere) in First Knicht (1995): ''I dare not kiss so lovely a lady . I have but one heart to lose.''
Del/Ronald Delany (Michael Parks) in The Hitman (1991):''I''m so goddamn horny I could fuck mud.''
Con artist Eddie (Dana Carvey) and Connie (Sally Gracie) in Opportunity Knocks (1990): - Eddie: ''This chick is cold .'' - Connie : ''So warm her up .''
Missouri (Glenda Farrell) in A Lady for a Day (1933): ''I''m so hot I''m smoking. I need a man!''
Lancelot (Richard Gere) in First Knicht (1995): ''I dare not kiss so lovely a lady . I have but one heart to lose.''
Jack Noah (Richard Dreyfuss), as dictator Alphonso Simms, to Madonna Mendez (Sonia Braga) in Moon Over Parador (1988): ''I want to kiss you so bad I could spit .''
Noel Annan: 'So often when we say: I love you, we say it with a huge 'I' and a small 'you'.'
Sheila Kingston's (Rosie O'Donnell) voice over commentary at the end of Exit to Eden (1994): 'So, what did I learn from this case? No matter what your sexual-preference is true-love is still the ultimate fantasy.'
Dr. Louis Levy (Martin Bergmann) at the end of Crimes and Misdemeanors (1989): 'You will notice that what we are aiming at when we fall in-love is a very strange paradox. The paradox consists of the fact that when we fall in-love we are seeking to re-find all or some of the people to whom we were attached as children. On the other hand we ask our beloved to correct all of the wrongs that these early parents or siblings inflicted upon us so that love contains in it the contradiction: the attempt to return to the past and the attempt to undo the past.'
Georges Duroy/Bel Ami (George Sanders) in The Private Affairs of Bel Ami (1947): 'Love is a subject which always interests women perhaps because in discussing it one passes so readily from the general to the particular.'
Stella (Marilyn Sokol) to Gloria (Goldie Hawn) in Foul Play (1978): 'If they say "I like you" it's not so bad . It's when they say "I love you" that's when you gotta watch out .'
Debra (Jeanne Crain) and Dr. Noah Praetorius (Cary Grant) in People Will Talk (1951): - Debra: 'I'm in-love-with you.' - Noah: 'What makes you think so?' - Debra: 'I can't give you symptoms. It's love not measles.'
Tillie Seltzer (Carol Burnett) and husband Pete (Walter Matthau) in Pete 'n' Tillie (1972): - Tillie: 'When I think of all the times I was so irritated with you yet, right now, I don't think I ever loved you more.' - Pete: 'Well, love without irritation is just lust .'
Harry Anders (Michael Caine) and Stacey Mensdorf (Sean Young) in Blue Ice (1992): - Harry: 'I knew a girl like you once and I felt the same way about her as I feel about you. I didn't know whether to love her or hate her.' - Stacey: 'So what did you do?' - Harry: 'A little of both.'
Tillie Seltzer (Carol Burnett) and husband Pete (Walter Matthau) in Pete ''n'' Tillie (1972): - Tillie: ''When I think of all the times I was so irritated with you yet, right now, I don''t think I ever loved you more.'' - Pete: ''Well, love without irritation is just lust .''
Adam Cook (Oscar Levant) and Jerry Mulligan (Gene Kelly) in An American in Paris (1951): - Adam : ''What are you so glum about?'' - Jerry: ''I got woman trouble.'' - Adam : ''Well, that proves you''re a man .''
Sabrina Fairchild (Audrey Hepburn) and Linus Larrabee (Humphrey Bogart) in Sabrina (1954): - Sabrina: ''It''s so strange to think of you being touched by a woman . I always thought you walked alone.'' - Linus: ''No man walks alone from choice .''
Adam Cook (Oscar Levant) and Jerry Mulligan (Gene Kelly) in An American in Paris (1951): - Adam : ''What are you so glum about?'' - Jerry: ''I got woman trouble.'' - Adam : ''Well, that proves you''re a man .''
Sabrina Fairchild (Audrey Hepburn) and Linus Larrabee (Humphrey Bogart) in Sabrina (1954): - Sabrina: ''It''s so strange to think of you being touched by a woman . I always thought you walked alone.'' - Linus: ''No man walks alone from choice .''
Julie (Lucille Ball) and Charlie (voice of Edgar Bergen) in Look Who's Laughing (1941): - Julie Patterson: 'Marriage is a strong institution, Charlie .' - Charlie McCarthy: 'So is Alcatraz, but I wouldn't want to live in it .'
Horace Vandergelder (Paul Ford), at 65, plans to marry again in The Matchmaker (1958): 'I like my house run well, with order, comfort and economy. That's a woman's work . But even a woman can't do-it well if she's merely paid for it . In order to run a house well a woman must have the feeling that she owns it . So, marriage is a bribe to make a housekeeper think she's a householder.'
Clarence Oddbody (Henry Travers) to George Bailey (James Stewart) It''s a Wonderful Life (1946): ''Strange, isn''t it? Each man''s life touches so many other lives. And when he''s not around, it leaves an awful hole , doesn''t it?''
Michelle (Julie Warner) and Tommy (Chris Farley) in Tommy Boy (1994) - Michelle: ''I saw him kissing his mom.'' - Tommy: ''So?'' - Michelle: ''With his tongue .''
Warden Miller and Rico (Armand Assante) in Judge Dredd (1995): - Wardenr: ''So, tell me Rico, what is the meaning of life?'' - Rico: ''It ends. '' (And he shoots the warden.)
Chrissy (Rita Wilson) and Roberta (Rosie O''Donnell) looking at the magazine cover featuring Teeny Terrell (Melanie Griffith) in Now and Then (1995): - Chrissy: ''Can you believe this tramp? Now what is it that she has that gets people so excited?'' - Roberta: ''Long legs, a tiny waist and perky breasts. ''
Wayman (Corwin Hawkins) to Shame when asked to spy on a woman in A Low Down Dirty Shame (1994): ''I''m about to go out to lunch , I''m not a vagitarian , so fish is not on the menu .''
Cousin Vicki (Jane Krakowski) and Audrey Griswold (Dana Barron) in Vacation (1983): - Vicki: ''I''m going steady , and I French-kiss .'' - Audrey: ''So? Everybody does that.'' - Vicki: ''Yeah, but Daddy says I''m the best at-it .''
Ian (Joe Mantegna) and Chazz (Brendan Fraser) watching Pip (Adam Sandler) with Suzzy (Nina Siemaszko) in Airheads (1994): - Ian: ''How does he do that?'' - Chazz: ''Pip? The man gets his hands on more bumpers than a body-shop .'' - Ian: ''With that I-seem-so-stupid-I-must-be-cute routine?'' - Chazz: ''That''s the quiet cool . Chics, man , they just lock on it .''
Peter Warne (Clark Gable) to Ellie (Claudette Colbert) who asked: ''What are you thinking about?'' in It Happened One Night (1934): ''I was just wondering what makes dames like you so dizzy .''
Topper Harley (Charlie Sheen) with Ramada (Valeria Golino) to in Hot Shots! (1991): - Topper: ''So, I take-it you''ve been with a man before?'' - Ramada: ''I''m a virgin , I''m just not very good at-it .''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''I''m so horny the crack of dawn better watch out .''
Chichi Rodriquez (John Leguizamo) to Vita Boheme (Patrick Swayze) in To Wong Foo. Thanks for Everything. Julie Newmar (1995): ''Vita, you know , you''re not a queen because you rule people or you sit-on-the-throne , baby , you''re a queen because you couldn''t cut it as a man so you had to put on a dress.''
''That''s Henry''s mother , the black sheep of the family . She took so many strokes in the Sixties they called her the U.S. Open.'' Kitty (Catherine Zeta Jones) about her future mother-in-law Duchess Lucinda (Barbara Hershey) in Splitting Heirs (1993)
''That''s Henry''s mother , the black sheep of the family . She took so many strokes in the Sixties they called her the U.S. Open.'' Kitty (Catherine Zeta Jones) about her future mother-in-law Duchess Lucinda (Barbara Hershey) in Splitting Heirs (1993)
Stacy (Jennifer Jason Leigh) Linda (Phoebe Cates) in Fast Times at Ridgemont High (1982) - Stacy: 'When a guy has an orgasm , how much comes out?' - Linda: 'About a quart or so.'
Stacy (Jennifer Jason Leigh) Linda (Phoebe Cates) in Fast Times at Ridgemont High (1982) - Stacy: ''When a guy has an orgasm , how much comes out?'' - Linda: ''About a quart or so.''
Larry Lipton (Woody Allen) in Manhattan Murder Mystery (1993): ''I''d fix Ted up with Helen Dubin, but they''d probably get-into an argument over penis-envy ; the poor guy suffers from it so.''
Lord Henry Wotton (George Sanders) in The Picture of Dorian Gray (1945): ''Always! That''s a dreadful word. Women are so fond-of using it , they spoil every romance by trying to make-it last forever. The only difference between a caprice and a lifetime passion is that the caprice lasts a little longer.''
Tira (Mae West) in I''m No Angel (1933): - Prosecutor: ''Why did you admit knowing so many men in your life?'' - Tira: ''It''s not the men in your life that count, it''s the life in your men.''
Tira (Mae West) in I''m No Angel (1933): - Prosecutor: ''Why did you admit knowing so many men in your life?'' - Tira: ''It''s not the men in your life that count, it''s the life in your men.''
Justice Dan Snow (Walter Matthau) on the subject of pornography in First Monday in October (1981): ''So it''s crap! What if it is crap? That''s not the point . Crap has the right to be crap .''
Justice Dan Snow (Walter Matthau) on the subject of pornography in First Monday in October (1981): ''So it''s crap! What if it is crap? That''s not the point . Crap has the right to be crap .''
Sung by Eric Idle in Monty Python. The Meaning of Life (1983): ''Isn''t it awfully nice to have a penis / Isn''t it frightfully good to have-it-on / It''s swell to have a stiffy / It''s divine to own a dick / From the tiniest little tadger to the world''s biggest prick / So, three cheers for your Willy or John-Thomas / Hooray for your one-eyed-trouser-snake / Your piece of pork , your wife''s best-friend , your passing or your cock / You can wrap it up in ribbons, you can stuff it in your sock / But don''t take-it out in public or they''ll stick you in the dock and you won''t come back .''
Murderer Peter Cable (Charles Cioffi) to prostitute Bree Daniels (Jane Fonda) in Klute (1971): ''You''re all obviously too lazy and too warped to do anything meaningful with your life so you pray on the sexual fantasies of others. That''s your stock and trade , isn''t it , a man''s weakness and I was never fully aware of mine until you brought them out .''
Murderer Peter Cable (Charles Cioffi) to prostitute Bree Daniels (Jane Fonda) in Klute (1971): ''You''re all obviously too lazy and too warped to do anything meaningful with your life so you pray on the sexual fantasies of others. That''s your stock and trade , isn''t it , a man''s weakness and I was never fully aware of mine until you brought them out .''
Skip tracer Tommy Novak (Clint Eastwood) and his prisoner Lou Ann McGuinn (Bernadette Peters) dressed in flaming red in Pink Cadillac (1989): - Tommy:'If you don't mind my saying so you look dressed-to-kill tonight, Miss McGuinn.' - Lou Ann:'No, I'm dressed to torture . Killing is too good for you.'
Edward Lewis (Richard Gere) and Vivian Ward (Julia Roberts) in Pretty Woman (1990): - Edward: 'So, what happens after he climbs the tower and rescues her?' - Vivian:'She rescues him right back!'
Lord Henry Wotton (George Sanders) in The Picture of Dorian Gray (1945):'Always! That's a dreadful word. Women are so fond-of using it , they spoil every romance by trying to make-it last forever. The only difference between a caprice and a lifetime passion is that the caprice lasts a little longer.'
Birdie (Sandra Bullock) in Hope Floats (1998): 'Beginnings are scary. Endings are usually sad, but it's what's in the middle that counts. So, when you find yourself at the beginning, just give hope a chance to float up . And it will.'
Luna Schlosser (Diane Keaton) to Miles Monroe (Woody Allen), a man frozen in the year 1973 and brought back to life in the year 2173; now he wants to have a relationship with her in Sleeper (1973): 'But Miles, relationships between men and women don't last. That was proven by science. You see , there's a chemical in our bodies that makes it so. We all get-on each others nerves sooner or later.'
Una (Lauren Tom) about her superstitious China-born mother in The Joy Luck Club (1993):''So my mom sees this miror at the foot of our bed and she says: Aie-ya! A mirror is bad luck. All the romance will hit the mirror, pooom, go back the opposite direction.''
Lord Henry Wotton (George Sanders) in The Picture of Dorian Gray (1945): ''Always! That''s a dreadful word. Women are so fond-of using it , they spoil every romance by trying to make-it last forever. The only difference between a caprice and a lifetime passion is that the caprice lasts a little longer.''
Brian Roberts (Michael York) and Sally Bowles (Lisa Minnelli) in Cabaret (1972): - Brian: ''Screw Max!'' - Sally : ''I do!'' - Brian: ''So do I!''
Brian Roberts (Michael York) and Sally Bowles (Lisa Minnelli) in Cabaret (1972): - Brian: ''Screw Max!'' - Sally : ''I do!'' - Brian: ''So do I!''
Lt. Frank Drebin (Leslie Nielsen) toJane (Priscilla Presley) in Naked Gun 2 . The Smell of Fear (1991): 'I'm single! I love being single! I haven't had so much sex since I was a boy scout leader.'
Chrissy (Rita Wilson) and Roberta (Rosie O''Donnell) looking at the magazine cover featuring Teeny Terrell (Melanie Griffith) in Now and Then (1995): - Chrissy: ''Can you believe this tramp? Now what is it that she has that gets people so excited?'' - Roberta: ''Long legs, a tiny waist and perky breasts. ''
Catwoman (Michelle Pfeiffer) to Batman (Michael Keaton) in Batman Returns (1992): ''I''m a woman and can''t be taken for granted. Life''s a bitch , now so am I.''
Harriet (Nancy Travis) and Charlie (Mike Meyers) in So I Married an Axe Murderer (1993): - Harriet Michaels: ''What do you look for in a woman you date?'' - Charlie Mackenzie: ''Well, I know everyone always say a sense of humor, but I really have to go-with breast size.''
David Addison (Bruce Willis) to Maddy Hayes (Cybill Shepherd) in Moonlighting (1985): ''You''re one cold icy broad . You have your nose so high in the air it''s snowing on your brain.''
''Wow! You''re one cold icy broad . You have your nose so high in the air it''s snowing on your brain.'' David Addison (Bruce Willis) to Madeleine ''Maddy'' Hayes (Cybill Shepherd) in Moonlighting (1985)
Walter (Dennis Dun) and Brian (Jameson Parker) in The Prince of Darkness (1987) - Walter: ''Why is everybody looking at me that way?'' - Brian: ''Because you''re being assholish.'' - Walter: ''Well, it''s assholish of you to say so!''
Walter (Dennis Dun) and Brian (Jameson Parker) in The Prince of Darkness (1987) - Walter: ''Why is everybody looking at me that way?'' - Brian: ''Because you''re being assholish.'' - Walter: ''Well, it''s assholish of you to say so!''
Bernie La Plante (Dustin Hoffman) in Hero (1992): ''The thing about kids is, they''re so young they don''t know nothing yet. When you''re a kid, you think you''re gonna grow up to be a wonderful person, instead of an asshole like everybody else.''
Sung by Eric Idle in Monty Python. The Meaning of Life (1983): ''Isn''t it awfully nice to have a penis / Isn''t it frightfully good to have-it-on / It''s swell to have a stiffy / It''s divine to own a dick / From the tiniest little tadger to the world''s biggest prick / So, three cheers for your Willy or John-Thomas / Hooray for your one-eyed-trouser-snake / Your piece of pork , your wife''s best-friend , your passing or your cock / You can wrap it up in ribbons, you can stuff it in your sock / But don''t take-it out in public or they''ll stick you in the dock and you won''t come back .''
Chichi Rodriquez (John Leguizamo) to Vita Boheme (Patrick Swayze) in To Wong Foo. Thanks for Everything. Julie Newmar (1995): ''Vita, you know , you''re not a queen because you rule people or you sit-on-the-throne , baby , you''re a queen because you couldn''t cut it as a man so you had to put on a dress.''
Stacy (Jennifer Jason Leigh) Linda (Phoebe Cates) in Fast Times at Ridgemont High (1982) - Stacy: ''When a guy has an orgasm , how much comes out?'' - Linda: ''About a quart or so.''
Harris B . Telemaker (Steve Martin) and SanDeE (Sarah Jessica Parker) coming-out of the Colonic Institute in L.A. Story (1991): - SanDeE: ''So, What do you think?'' - Harris: ''I think it was a total wash out .'' - SanDeE: ''Good! It really clears your head .'' - Harris: ''Head?! Head?! You should go back in there and tell them they''re doing-it wrong. Well, it was a great lunch and enema .''
Jess Burgess (Leo Gordon) in Gun Fury (1953): ''As far as I''m concerned all women are alike. They just have different faces so you can tell them apart.''
Mitzi (Hugo Weaving) to Felicia in The Adventures of Priscilla, Queen of the Desert (1994): ''There are two things I don''t like about you... your face . So how about shutting both of ''em.''
French author Franois Rabelais (1494-1553) (Translation by Sir Thomas Urquhart, 1653): ''These two did often do-the-two-backed-beast together in so far that at last she became great-with-child .''
''Why do they have these things so early? No woman can look good at five o''clock in the afternoon , except possibly Tatum O''Neil.'' Diana Barrie (Maggie Smith) preparing for an afternoon ceremony in California Suite (1978)
Melvin Udall (Jack Nicholson) and Zoe (Julie Benz) in As Good As It Gets (1997): - Zoe: ''How do you write women so well?'' - Melvin: ''Easy. I think of a man and take away reason and accountability.''
Kate Libby (Angelina Jolie) quoting her mother in Hackers (1995): ''God gave men brains larger than dogs so they wouldn''t hump women''s legs at cocktail parties. Ruth Libby.''
Lady Bracknell (Edith Evans) in The Importance of Being Earnest (1952):''A woman should never be really accurate about her age ; it looks so calculating.''
Fred Boynton (Christopher Eigeman) in Barcelona (1994): ''You are far weirder than someone merely into S & M . At least they have a tradition. We have some idea what S & M is about. There''s movies and books about it . But so far as I know , there is nothing to explain the way you are.''
Leo Schneider (Joseph Bologna) in Chapter Two (1979): ''I can''t be faithful to my wife and I hate the guilt that comes from fooling-around . So I compromise. I have a lot of unpleasurable affairs .''
Brad Allen/Rex Stetson (Rock Hudson) and Jan Morrow (Doris Day) in Pillow Talk (1959): - Brad: ''So I have sown a few wild-oats .'' - Jan: ''A few!? You could qualify for a farm loan.''
Bill Rago (Danny DeVito), pretending to be CID, and Marie (Isabella Hofmann), the records officer, in Renaissance Man (1994): - Bill : 'So, do I get the records?' - Marie:'No.' - Bill : 'Come on . Is that all you ever say?' - Marie: 'No.' - Bill :'Hmmm. A window of opportunity.'
Fun-loving Flicienne (Eva Gabor) explains how she came to take a champagne bath with a Duke in A New Kind of Love (1963): 'How could I say no when it's so much easier to say yes?'
Bernie La Plante (Dustin Hoffman) in Hero (1992): ''The thing about kids is, they''re so young they don''t know nothing yet. When you''re a kid, you think you''re gonna grow up to be a wonderful person, instead of an asshole like everybody else.''
Harry Anders (Michael Caine) and Stacey Mansdorf (Sean Young) in Blue Ice (1992): - Harry:''I knew a girl like you once and I felt the same way about her as I feel about you. I didn''t know whether to love her or hate her.'' - Stacey:''So what did you do?'' - Harry:''A little of both.''
Johnny Farrell (Glenn Ford) thinking of his ex-girlfriend Gilda (Rita Hayworth) now the wife of his boss in Gilda (1946):''I hated her so I couldn''t get her out of my mind for a minute. She was in the air I breathed and the food I ate.''
Gilda Mundson (Rita Hayworth) to Johnny Farrell (Glenn Ford) in Gilda (1946):''I hate you so much that I would destroy myself to take you down with me. Now I''ve warned you.''
Leo Schneider (Joseph Bologna) to Faye Medwick (Valerie Harper) in Chapter Two (1979): ''I can''t be faithful to my wife and I hate the guilt that comes from fooling-around . So I compromise. I have a lot of unpleasurable affairs .''
Lt. Catherine Gates (Ann Sheridan) to Capt. Henri Rochard (Cary Grant) in I Was a Male War Bride (1949): ''I may as well warn you, bubble-mouth, that I''m going to carry a revolver and a trench knife and if you so much as lay a finger on me this trip , you''re going back to France minus a lot of parts you probably value.''
That Sam is so thoughtful. He promised to slip me an extra tube steak .' An naive, unsuspecting Alice (Henriette Mantel) in A Very Brady Sequel (1996). Tube steak is slang for penis .
Waldo Lydecker (Clifton Webb) in Laura (1944): ''In my case self-absorption is completely justified. I have never discovered any other subject quite so worthy of my attention.''
Sabrina (Audrey Hepburn) and Linus (Humphrey Bogart) in Sabrina (1954): - Sabrina Fairchild: ''It''s so strange to think of you being touched by a woman . I always thought you walked alone.'' - Linus Larrabee: ''No man walks alone from choice .''
''His ass is so tight when he farts only dogs can hear it .'' Ex-cop Lenny Nero (Ralph Fiennes) about Deputy Police Commissioner Palmer Strickland in Strange Days (1995)
Humping (Robert Gwaltney) and Barney (Paul Rodriguez) in The Whoopee Boys (1986): - Humping: ''I''m Humping, the butler.'' - Barney: ''Oh, yeah? So who''s fucking the maid?''
''His ass is so tight when he farts only dogs can hear it .'' Ex-cop Lenny Nero (Ralph Fiennes) about Deputy Police Commissioner Palmer Strickland in Strange Days (1995)
''Al. Al Reardon. My father! My moral, uptight, coffee-slurping, status-seeking, putting-in-overtime, hard-day-at-the-office, early-rising early-bedding, make-your-own-way-in-life father had been screwing Joyce Fickett. (...) No wonder I was having so much trouble. It was hereditary.'' Jimmy Reardon (River Phoenix) after discovering that his father Al (Paul Koslo) has been having an affair with Joyce (Ann Magnuson) for years in A Night in the Life of Jimmy Reardon (1988)
''Al. Al Reardon. My father! My moral, uptight, coffee-slurping, status-seeking, putting-in-overtime, hard-day-at-the-office, early-rising early-bedding, make-your-own-way-in-life father had been screwing Joyce Fickett. (...) No wonder I was having so much trouble. It was hereditary.'' Jimmy Reardon (River Phoenix) after discovering that his father Al (Paul Koslo) has been having an affair with Joyce (Ann Magnuson) for years in A Night in the Life of Jimmy Reardon (1988)
Charles (Timothy Hutton) who broke his engagement to Kate (Meg Ryan) after falling head-over-heels in-love-with a French girl in Paris in French Kiss (1995): - Charles: ''I feel so totally, horribly guilty.'' - Kate: ''Oh, listen, don''t feel guilty because then I''ll start feeling guilty that I made you feel guilty, and... You know , actually, that was the old me. Just feel guilty. Swim in it till your fingers get all pruny.''
Frank Slade (Al Pacino) to Donna (Gabrielle Anwar) in Scent of a Woman (1993): ''No mistakes in the tango, Donna. Not like life . Simple. That''s what makes tango so great. If you make a mistake, get all tangled up , you just tango along.''
Leo Schneider (Joseph Bologna) in Chapter Two (1979): ''I can''t be faithful to my wife and I hate the guilt that comes from fooling-around . So I compromise. I have a lot of unpleasurable affairs .''
Melvin Udall (Jack Nicholson) and Zoe (Julie Benz) in As Good As It Gets (1997): - Zoe: ''How do you write women so well?'' - Melvin: ''Easy. I think of a man and take away reason and accountability.''
Sung by Eric Idle in Monty Python. The Meaning of Life (1983): ''Isn''t it awfully nice to have a penis / Isn''t it frightfully good to have-it-on / It''s swell to have a stiffy / It''s divine to own a dick / From the tiniest little tadger to the world''s biggest prick / So, three cheers for your Willy or John-Thomas / Hooray for your one-eyed-trouser-snake / Your piece of pork , your wife''s best-friend , your passing or your cock / You can wrap it up in ribbons, you can stuff it in your sock / But don''t take-it out in public or they''ll stick you in the dock and you won''t come back .''
Diana Barrie (Maggie Smith), preparing for the Oscar ceremony in California Suite (1978): ''Why do they have these things so early? No woman can look good at five o''clock in the afternoon , except possibly Tatum O''Neil.''
Selina Kyle/Cat Woman (Michelle Pfeiffer) to Bruce Wayne/Batman (Michael Keaton) in Batman Returns (1992): ''I''m a woman and can''t be taken for granted. Life''s a bitch now so am I.''
Bernie La Plante (Dustin Hoffman) in Hero (1992): ''The thing about kids is, they''re so young they don''t know nothing yet. When you''re a kid, you think you''re gonna grow up to be a wonderful person, instead of an asshole like everybody else.''
Sung by Eric Idle in Monty Python. The Meaning of Life (1983): ''Isn''t it awfully nice to have a penis / Isn''t it frightfully good to have-it-on / It''s swell to have a stiffy / It''s divine to own a dick / From the tiniest little tadger to the world''s biggest prick / So, three cheers for your Willy or John-Thomas / Hooray for your one-eyed-trouser-snake / Your piece of pork , your wife''s best-friend , your passing or your cock / You can wrap it up in ribbons, you can stuff it in your sock / But don''t take-it out in public or they''ll stick you in the dock and you won''t come back .''
Melvin Udall (Jack Nicholson) and Zoe (Julie Benz) in As Good As It Gets (1997): - Zoe: ''How do you write women so well?'' - Melvin: ''Easy. I think of a man and take away reason and accountability.''
William of Baskerville (Sean Connery) and Jorge de Burgos (Feodor Challapin, Jr.) in The Name of the Rose (1986): - William of Baskerville: ''But what is so alarming about laughter?'' - Jorge de Burgos: ''Laughter kills fear and without fear there can be no faith, because without fear of the devil there is no more need of God.''
Harry Anders (Michael Caine) and Stacey Mensdorf (Sean Young) in Blue Ice (1992): - Harry: ''I knew a girl like you once and I felt the same way about her as I feel about you. I didn''t know whether to love her or hate her.'' - Stacey: ''So what did you do?'' - Harry: ''A little of both.''
Topper Harley (Charlie Sheen) with Ramada (Valeria Golino) to in Hot Shots! (1991): - Topper: ''So, I take-it you''ve been with a man before?'' - Ramada: ''I''m a virgin . I''m just not very good at-it .''
Topper Harley (Charlie Sheen) with Ramada (Valeria Golino) to in Hot Shots! (1991): - Topper: ''So, I take-it you''ve been with a man before?'' - Ramada: ''I''m a virgin . I''m just not very good at-it .''
Chrissy (Rita Wilson) and Roberta (Rosie O'Donnell) looking at the magazine cover featuring Teeny Terrell (Melanie Griffith) in Now and Then (1995): - Chrissy: 'Now what is it that she has that gets people so excited?' - Roberta: 'Long legs, a tiny waist and perky breasts. '
Chrissy (Rita Wilson) and Roberta (Rosie O''Donnell) looking at the magazine cover featuring Teeny Terrell (Melanie Griffith) in Now and Then (1995): - Chrissy: ''Can you believe this tramp? Now what is it that she has that gets people so excited?'' - Roberta: ''Long legs, a tiny waist and perky breasts. ''
Sheila Kingston''s (Rosie O''Donnell) voice over commentary at the end of Exit to Eden (1994): ''So, what did I learn from this case? No matter what your sexual-preference is true-love is still the ultimate fantasy.''
James Graham, Marquis of Montrose (John Hurt) speaking of the barreN Scottish queen in Rob Roy (1994): ''Aie, one might have hoped that a field so regularly plowed might have yielded one good crop . In truth I have seen healthier graveyards than that woman''s womb .''
Charlie Pike (Henry Fonda) and Jean Harrington (Barbara Stanwyck) in The Lady Eve (1941): - Chalie: 'Lots of men are more careful in choosing a tailor than they are in choosing a wife .' - Jean: 'That's probably why they look so funny.'
The local sheriff and Susan (Katharine Hepburn) about David (Cary Grant) in Bringing Up Baby (1938): - The Sheriff: ''Oh! So he''s a lady-killer?!'' - Susan Vance: ''A lady-killer?! Why he''s a regular Don Swan. (...) He bops them over, one, two, three, boom. Just like that. He''s a wolf .''
Alabama Whitman''s (Patricia Arquette) voice over introduction in True Romance (1993):''I had to come all-the-way from the highways and byways of Tallahassee, Florida, to Motor City, Detroit to find my true-love . If you gave me a million years to ponder I would never have guessed that true romance and Detroit would ever go together, and to this day the events that followed all seem like a distant dream. But the dream was real, and was to change our lives forever. I kept asking Clarence why our world seemed to be collapsing and everything seemed so shitty? And he''d say: That''s the way it goes, but don''t forget, it goes-the-other-way too. That''s the way romance is. Usually that''s the way it goes but every once in a while it goes-the-other-way too.''
Paul (John Malkovich), the clown, and Marie (Madonna), the acrobat, in Shadows and Fog (1992) - Paul: 'Sometimes when you're up on the high wire and I look at you you look so...' - Marie: 'What?' - Paul: 'Edible.' - Marie: 'How hungry are you now?' - Paul: 'I'm always famished after a performance. And you?' - Marie: 'I can never sleep on an empty stomach.' - Paul: 'Do you have a taste for anything special?' - Marie: 'I'm not fussy. I eat what you put in front of me.'
''Now let me get this straight . You got a wife and you got a girlfriend in the office? Did you say your name was Bud or Stud? I''m sorry, but it sounds to me like you''re living your life so crooked you have to screw your socks on . Having an affair is like shooting pool on two tables. You may have the balls , Bud, but you''re gonna wear out your stick .'' Shirlee Kenyan (Dolly Parton) hosting a radio call-in show in Straight Talk (1992)
Paul (John Malkovich), a clown, and Marie (Madonna), an acrobat, in Shadows and Fog (1992). - Paul: ''Sometimes when you''re up on the high wire and I look at you you look so...'' - Marie: ''What?'' - Paul: ''Edible.'' - Marie: ''How hungry are you now?'' - Paul: ''I''m always famished after a performance. And you?'' - Marie: ''I can never sleep on an empty stomach.'' - Paul: ''Do you have a taste for anything special?'' - Marie: ''I''m not fussy. I eat what you put in front of me.''
Sally (Meg Ryan) and Harry (Billy Crystal) in When Harry Met Sally (1989): - Sally Albright: 'Harry, we are just going to be friends.' - Harry Burns: 'You realise of course that we can never be friends.' - Sally Albright: 'Why not?' - Harry Burns: 'What I'm saying is, and this is not a come-on in any way , shape or form, is that men and women can't be friends because the sex part always gets in the way . (...) Because no man can be friends with a woman he finds attractive . He always wants to have-sex-with her.' - Sally Albright: 'So, you're saying that a man can be friends with a woman he finds unattractive.' - Harry Burns: 'No, you pretty much want to nail them too.'
Elaine Navazio (Sally Kellerman) and Barney Cashman (Alan Arkin) in Last of the Red Hot Lovers (1972). Elaine is Barney''s first of three unsuccessful attempts at middle-age, extra-marital sex . - Elaine:''Is it possible that you''re actually as cold as you sound?'' - Barney:''I need gloves to take off my underwear .'' - Elaine: ''Flippant, wise and cold . You don''t permit yourself to be honest and open for a minute, do you?'' - Barney:''Barney, I''m gonna give you one free hint so the afternoon isn''t a total write off . If you want undying love and romance , take a guitar and go to Spain. I''m leaving for good. My peek has ebbed.'' - Elaine: ''Cold, callous and unemotional.'' - Barney:''Those are my attorneys. You know where to get in touch with me.''
Charles Panati. Sexy Origins and Intimate Things (1998): ''The most popular explanation for the link between fashion and eroticism, and rapid changes in styles, is the sex-appeal theory, also known as the theory of shifting erogenous-zones . Proponents of the theory argue that the primary purpose of all womens fashion is the desire to continually reattract the opposite-sex . The driving force behind seasonal changes in styles is to arouse men sated by last seasons "look" to turn-on to a new "look." In todays sexually liberated and sex-saturated times, fashion is driven by the seduction principle. With so much sexual imagery in the media, men get sated quickly, and women must work hard to reseduce them with styles that continually shift the erogenous zone from breasts to bellies to backs to legs to hair to lips . Men, for their part, positively yearn to be reseduced, over and over again. All of this seduction, says the theory, is to fulfill the biological imperative to continue the species, even if the sexes thwart conception at every chance they get .''
Charles Panati. Sexy Origins and Intimate Things (1998): ''The most popular explanation for the link between fashion and eroticism, and rapid changes in styles, is the sex-appeal theory, also known as the theory of shifting erogenous-zones . Proponents of the theory argue that the primary purpose of all womens fashion is the desire to continually reattract the opposite-sex . The driving force behind seasonal changes in styles is to arouse men sated by last seasons "look" to turn-on to a new "look." In todays sexually liberated and sex-saturated times, fashion is driven by the seduction principle. With so much sexual imagery in the media, men get sated quickly, and women must work hard to reseduce them with styles that continually shift the erogenous zone from breasts to bellies to backs to legs to hair to lips . Men, for their part, positively yearn to be reseduced, over and over again. All of this seduction, says the theory, is to fulfill the biological imperative to continue the species, even if the sexes thwart conception at every chance they get .''
Brodie (Jason Lee) explains to T.S. (Jeremy London) and Gwen (Joey Lauren Adams) why his relationship with Rene failed in Mallrats (1995): - Brodie: ''You know how when someone lays with their back to you and you lay behind ''em really close and you throw one arm over ''em?'' - T.S.: ''It''s called spooning .'' - Brodie: ''Yeah, but you gotta put the other arm somewhere. You can either lay on it or just shove it between your bodies. The only other option is to stretch it above your head . But sometimes my arm pops out of socket when I''m sleeping like that. So I was constantly searching for someplace to keep my arm while still laying close to her.'' - T.S.: ''And?'' - Brodie: ''What do you mean ''and''? That''s like a metaphor for our whole relationship .''
Sally Albright (Meg Ryan) and Harry Burns (Billy Crystal) in When Harry Met Sally (1989): - Sally : 'Harry, we are just going to be friends.' - Harry:'You realise of course that we can never be friends.' - Sally : 'Why not?' - Harry:'What I'm saying is, and this is not a come-on in any way , shape or form, is that men and women can't be friends because the sex part always gets in the way . (...) Because no man can be friends with a woman he finds attractive . He always wants to have-sex-with her.' - Sally :'So, you're saying that a man can be friends with a woman he finds unattractive.' - Harry:'No, you pretty much want to nail them too.'
Sally (Meg Ryan) and Harry (Billy Crystal) in When Harry Met Sally (1989): - Sally Albright: ''Harry, we are just going to be friends.'' - Harry Burns: ''You realise of course that we can never be friends.'' - Sally Albright: ''Why not?'' - Harry Burns: ''What I''m saying is, and this is not a come-on in any way , shape or form, is that men and women can''t be friends because the sex part always gets in the way . (...) Because no man can be friends with a woman he finds attractive . He always wants to have-sex-with her.'' - Sally Albright: ''So, you''re saying that a man can be friends with a woman he finds unattractive.'' - Harry Burns: ''No, you pretty much want to nail them too.''
Leon (Melvyn Douglas) to the Soviet enjoy Ninotchka (Greta Garbo) in Ninotchka (1939): 'Love isn't so simple, Ninotchka. Ninotchka, why do doves bill and coo? Why do snails, the coldest of all creatures, circle interminably around each other? Why do moths fly hundred of miles to find their mates? Why do flowers slowly open their petals? Oh, Ninotchka, Ninotchka, surely you feel some slight symptom of the divine passion . A general warmth, a strange heaviness in your limbs, a burning of the lips that isn't thirst but something a thousand times more tantalizing, more exalting than thirst.'
Mitch Robbins (Billy Crystal) adressing his son''s class in City Slickers (1991):''Value this time in your life , kids, because this is the time in your life when you still have your choices. It goes by so fast. When you''re a teenager , you think you can do anything and you do . Your twenties are a blur. Thirty, you raise your family , you make a little money and you think to yourself: What happened to my twenties? Forties, you grow a little pot belly , you grow another chin. The music starts to get too loud. One of your old girlfriends from high school becomes a grandmother. Fifties, you have a minor surgery. You''ll call-it ''a procedure'' but it''s a surgery. Sixties, you''ll have a major surgery. The music is still loud but it doesn''t matter because you can''t hear it anyway. Seventies, you and the wife retire to Fort Lauderdale, start eating dinner at two o''clock in the afternoon . You have lunch around ten , breakfast the night before. Spend most of your time wandering around malls, looking for the ultimate soft yogourt and muttering: How come the kids don''t call? The eighties, you have a major stroke . You end up blabbering to some Jamaican nurse that your wife can''t stand and that you call mama. Any questions?''
Lawrence Paros. The Erotic Tongue (1984): 'Nobody really knows where the hole came from, though Captain Grose, the roguish eighteenth- century lexicographer, had his own ideas about it . His version opens with an angel who had been employed in forming women, forgetting to cut off their parts-of-generation . Enter Lucifer who took it upon himself to set matters right. Taking a somewhat direct approach to the problem, he placed himself in a sawpit with a scythe fixed to a stick in his hand and directed the women to straddle the pit . He then gave each the mark-of-the-beast (c. 1715). The pit being too deep for the length of his instrument , tall women received only a moderate scratch , but little women, because their legs were so short and more within his reach, received a somewhat larger cut . The long and the short of it? They both went home with an everlasting-wound (17th C), known in some quarters as the divine-scar (18th C). The Devil, henceforth, was to be known as Old Nick or Ole Scratch; and the c**t [cunt, as slit (17th-20th C), nick , and gash (both 16th-20thC).'
Carrie Davenport (Courtenay Cox) and David Crown (Arye Gross) meeting in a basement bar where clients use a periscope to view passing women''s legs in The Opposite Sex. And How to Live With Them (1993): - Carrie: ''It''s not polite to spy.'' - David: ''I wasn''t spying. I was leering. '' - Carrie: ''You know , this thing reinforces bad viewing habits. You should learn to look at a woman as a whole .'' - David: ''Hey, listen, I''m way to enlightened to look at a woman like that.'' - Carrie: ''I meant as opposed to just half.'' - David: ''It''s a periscope in a bar . Lighten up!'' - Carrie: ''You just shouldn''t look at women as objects.'' - David: ''Oh, now, you see , I was looking at women objectively.'' - Carrie: ''You know , I don''t care for semantics.'' - David: ''Oh, too bad , I''m Jewish. May I buy you a drink?'' - Carrie: ''I don''t think so.'' - David: ''The whole you?''
Carrie Davenport (Courtenay Cox) and David Crown (Arye Gross) meeting in a basement bar where clients use a periscope to view passing women''s legs in The Opposite Sex. And How to Live With Them (1993): - Carrie: ''It''s not polite to spy.'' - David: ''I wasn''t spying. I was leering. '' - Carrie: ''You know , this thing reinforces bad viewing habits. You should learn to look at a woman as a whole .'' - David: ''Hey, listen, I''m way to enlightened to look at a woman like that.'' - Carrie: ''I meant as opposed to just half.'' - David: ''It''s a periscope in a bar . Lighten up!'' - Carrie: ''You just shouldn''t look at women as objects.'' - David: ''Oh, now, you see , I was looking at women objectively.'' - Carrie: ''You know , I don''t care for semantics.'' - David: ''Oh, too bad , I''m Jewish. May I buy you a drink?'' - Carrie: ''I don''t think so.'' - David: ''The whole you?''


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