Dictionaries:
Sexual DictionaryDictionary of the F-Word

bob:

1. To copulate with someone. See copulation for synonyms.

2. To masturbate , said of males. See masturbation-male for synonyms. Both are based on the standard sense of bob, to hit or strike lightly.

3. Or: BOB , an abbreviation of Big Ol' Bitch, a derogatory word for an extremely obese women. Look out , here comes old BOB .

4. Or: BOB , jocular coinage for Battery Operated Boyfriend, a vibrator . I'm staying home with BOB tonight .


See Also: balls, ballum rancum, bent as a nine bob note, block of ice, bob, bob-tail, bobstay, bobtail, boobies, camp as a row of tents, cold heart, come-hither eyes, flapper, freezer, goo-goo eye, grow on, he-man, jizz spider, love scene, nine bob, on the make, opening, pucker up, queer as a football bat, queer as a nine bob note, queer as a nine-dollar bill, queer as a square egg, queer as a three-dollar bill, stacked, thingamabobs, thingumbobs, wife, wood

Quotes Containing bob:
A sketch on The Pepsodent Show. (Bob''s script called for a simple ''Okay''.) - Hedy Lamarr: ''I''ll meet you in front of the pawn shop.'' - Bob Hope: ''Okay, Dottie, and then you can kiss me under the balls .''
Frank Broderick (Henry Fonda) and Bob Weston (Tony Curtis) Sex and the Single Girl (1964): - Frank: ''What do you call-it when you hate the woman you love?'' - Bob: ''A wife .''
Frank Broderick (Henry Fonda) and Bob Weston (Tony Curtis) in Sex and the Single Girl (1964): - Frank: 'What do you call-it when you hate the woman you love?' - Bob: 'A wife .'
R.K. Maroon (Alan Tilvern) to Eddie Valiant (Bob Hoskins) speaking about Roger's wife , Jessica Rabbit in Who Framed Roger Rabbit (1988): 'His wife is poison, but he thinks she's Betty Crocker.'
Larry Haines (Bob Hope) to Karen Bentley (Madeleine Carroll) in My Favorite Blonde (1942): ''I don''t know anything about babies... the small kind.''
Bob Smiley (Ronny Cox) to MacArthur Stern (Gene Hackman) in Loose Cannons (1990): ''You?d better back off quick , Mister, or I?ll have your nuts in a Cuisinar.''
Sidney Melbourne (Bob Hope) in The Lemon Drop Kid (1951): ''You still have your hourglass figure , my dear, but most of the sand has gone to the bottom .''
Bob Brooks (Reginald Denny) to his wife Angela (Kay Johnson) in Madam Satan (1930): ''I think you''re above all women, but below zero .''
Larry Haines (Bob Hope) to Karen Bentley (Madeleine Carroll) in My Favorite Blonde (1942): ''Are those your own eyes?... Both of ''em?''
Sylvester Crosby/Sylvester the Great (Bob Hope) to Princess Margaret (Virginia Mayo) in The Princess and the Pirate (1944): ''Sit down and take a load off my eyes .''
Sidney Melbourne (Bob Hope) in The Lemon Drop Kid (1951): ?You still have your hourglass figure , my dear, but most of the sand has gone to the bottom .'
Junior (Bob Hope) in Son of Paleface (1952): ''I like to kiss this girl because she has just the type of lips I like, one on top and one on the bottom .''
Michael Valentine (Bob Hope) kissing the Kitrina Grimovitch (Signe Hasso) in Where There''s Life (1947): ''Say, this could be habit-forming.''
Roland T. Flakfizer (John Torturo) and Jacques (Bob Nelson) in Brain Donors (1992): - Roland: ''The face is familiar.'' - Jacques: ''It''s mine!''
Sidney Melbourne (Bob Hope) in The Lemon Drop Kid (1951): ''You still have your hourglass figure , my dear, but most of the sand has gone to the bottom .''
Beaucaire (Bob Hope) in Monsieur Beaucaire (1946): ''When you''ve got it , you''ve got it . There''s nothing you can do about it .''
Bob Smiley (Ronny Cox) to MacArthur Stern (Gene Hackman) in Loose Cannons (1990): ''You''d better back off quick , Mister, or I''ll have your nuts in a Cuisinar.''
Mrs. Flax (Cher) to Lou Landsky (Bob Hoskins) in Mermaids (1990): ''I can get pregnant by hanging my clothes next to man''s suit.''
Beaucaire (Bob Hope) in Monsieur Beaucaire (1946): ''When you''ve got it , you''ve got it . There''s nothing you can do about it .''
Beaucaire (Bob Hope) in Monsieur Beaucaire (1946): ''When you''ve got it , you''ve got it . There''s nothing you can do about it .''
Humphrey Brinstead (Bob Hope) in Fancy Pants (1950): 'Don't tempt me, mum. I can resist anything but temptation .'
Bob Seton (John Wayne) invited to dinner by William Cantrel (Walter Pigeon) in Dark Command (1940): ''It''s the first time I ever had two kinds of birds with one meal: turkey to eat and buzzards to look at.''
Junior (Bob Hope) and Ebeneezer (Paul E. Burns) speaking about Mike (Jane Russell) a performer in Son of Paleface (1952): - Junior: ''She''s really got it!'' - Ebeneezer: ''She''s got what?'' - Junior: ''I don''t know but if we could bottle it we could make a fortune.''
Junior (Bob Hope) and Ebeneezer (Paul E. Burns) speaking about Mike (Jane Russell) a performer in Son of Paleface (1952): - Junior: ''She''s really got it!'' - Ebeneezer: ''She''s got what?'' - Junior: ''I don''t know but if we could bottle it we could make a fortune.''
Junior (Bob Hope) and Ebeneezer (Paul E. Burns) speaking about Mike (Jane Russell) a performer in Son of Paleface (1952): - Junior: ''She''s really got it!'' - Ebeneezer: ''She''s got what?'' - Junior: ''I don''t know but if we could bottle it we could make a fortune.''
Jim Brewster (Bob Hope) about (Betty Grable) in Give Me a Sailor (1938): ''And those eyes! Stop and go signals if ever I saw any.''
Agatha (Lucille Ball) to the butler Humphrey (Bob Hope) in Fancy Pants (1950): - Agatha Floud: ''The first time I saw you I said to myself: ''Here''s a dirty , low-down, lilly-livered coyote . Then, as I got to know you better, I figured you for a filthy, sneaking rat .'' - Humphrey Brinstead: ''I grow-on people like that.''
Empress Nympho (Madeline Kahn) wondering if a slave could be put to good use in History of the World - Part I (1981): 'Oh, Bob? Do I have any openings that this man could fill'
Jim Brewster (Bob Hope) about (Betty Grable) in Give Me a Sailor (1938): ''And those eyes! Stop and go signals if ever I saw any.''
Bob Weston (Tony Curtis) to psychologist Helen Gurley Brown (Natalie Wood) in Sex and the Single Girl (1964): ''She''d hit the ceiling if she thought you and me were sitting here alone. You know what she''d figure? She''d figure a broad as pretty as you as got to be on-the-make .''
Ebeneezer Hawkins (Paul E. Burns) and Junior (Bob Hope) in Son of Paleface (1952): - Ebenezer: ''Give this millionaire something that will put hair on his chest .'' - Junior: ''I''ve got hair on my chest . Give me something that will part it in the middle.''
Jim Brewster (Bob Hope) about (Betty Grable) in Give Me a Sailor (1938): ''And those eyes! Stop and go signals if ever I saw any.''
'Oh Bob? Do I have any openings that this man could fit? (or fill?)' Empress Nympho (Madeline Kahn) asking her manservant if a new muscle-bound slave could be put to good use in History of the World - Part I (1981)
'A snatch job hey?' Ronnie Jackson (Bob Hope) to Carlotta Montay (Dorothy Lamour) in My Favorite Brunette (1947). He's referring to a kidnapping.
Diane (Joan Collins) and Chester Babcock (Bob Hope) in The Road to Hong Kong (1962): - Diana: 'You know , Chester, you're the sort of man that I could love .' - Chester: 'Could you?' - Diana: 'Oh yes , I could, Chester. I could love you body and soul.' - Chester: 'They're available , in that order.'
Bob Seton (John Wayne) invited to dinner by William Cantrel (Walter Pigeon) in Dark Command (1940): ''It''s the first time I ever had two kinds of birds with one meal: turkey to eat and buzzards to look at.''
Diane (Joan Collins) and Chester Babcock (Bob Hope) in The Road to Hong Kong (1962): - Diane: ''Do you have any idea of the kind of woman that I really am?'' - Chester: ''No, but I have high hopes.'' - Diane: ''I''ll tell you what I''m like. I know what I want when I see what I want, and when I see what I want, I want it .'' - Chester: ''Do you see it?'' - Diane: ''I see it .'' - Chester: ''Do you want it?'' - Diane: ''I want it .'' - Chester: ''You got it .''
Diane (Joan Collins) and Chester Babcock (Bob Hope) in The Road to Hong Kong (1962): - Diane: ''Do you have any idea of the kind of woman that I really am?'' - Chester: ''No, but I have high hopes.'' - Diane: ''I''ll tell you what I''m like. I know what I want when I see what I want, and when I see what I want, I want it .'' - Chester: ''Do you see it?'' - Diane: ''I see it .'' - Chester: ''Do you want it?'' - Diane: ''I want it .'' - Chester: ''You got it .''


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