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hit or miss:
Or: hit-and-miss , American and Australian rhyming slang based on the rhyme with:
1. Kiss . A kiss ; to kiss . See kiss for synonyms.
2. Piss , to urinate. See urination for synonyms.


See Also: hit and miss, hit or miss,

Quotes Containing hit or miss:
Boner Miss Davis (Tonie Perensky) and her students in Varsity Blues (1999): - Miss Davis: 'Can anyone tell me a common slang term for the male erection?' - Student: 'Boner? Is boner one?' - Miss Davis: 'Yes! Boner is good, boner is very good!'
''Easy now! Easy now! Is this a courting or a donnybrook? Have the good manners not to hit the man until he''s your husband and able to hit you back .'' Michaelen Flynn (Barry Fitzgerald), the matchmaker, to Mary Kate Danaher (Maureen O''Hara) and Sean Thornton (John Wayne) in The Quiet Man (1952)
Lt. Drebin (Leslie Nielsen) is, presumably, looking up Miss Spencer's (Priscilla Presley) skirt who climbing up a ladder TO reach for a book but pulls a stuffed beaver instead in The Naked Gun (1988): - Lt. Drebin: 'Nice beaver .' - Miss Spencer: 'Thank you. I just had it stuffed. '
James Bond (Sean Connery) and Miss Moneypenny (Lois Maxwell) in Dr. No (1962): - James Bond: 'Moneypenny. What gives?' - Miss Moneypenny: 'Me, given an ounce of encouragement.'
Joke: ''Hit the dude in the balls , then you''ll know if he''s S or M .'' (sadist or masochist)
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Humorously defined by Frederic Mullally in The Penthouse Sexicon (1968): ''One who strenuously denies that a miss is as good as a male.''
Jeff Bailey (Robert Mitchum) about Miss Carson in Out of the Past (1947): ''Awfuly cold around the heart .''
Milo Perrier (James Coco) in Murder by Death (1976): ''It''s a statement of fact , Miss Twain, that as a man you are barely passible but as a woman , you are a dog .''
Milo Perrier (James Coco) in Murder by Death (1976): ''It''s a statement of fact , Miss Twain, that as a man you are barely passible but as a woman , you are a dog .''
Clarence Worley (Christian Slater) in True Romance (1993):''Look at her! She looks like she fell off the ugly tree and hit every branch on the way down .''
Una (Lauren Tom) about her superstitious China-born mother in The Joy Luck Club (1993):''So my mom sees this miror at the foot of our bed and she says: Aie-ya! A mirror is bad luck. All the romance will hit the mirror, pooom, go back the opposite direction.''
Breathless Mahoney (Madonna) to Dick Tracy (Warren Beatty) in Dick Tracy (1990): ''I know the feeling. You don''t know if you want to kiss me or hit me. I get a lot of that.''
Breathless Mahoney (Madonna) to Dick Tracy (Warren Beatty) (1990): ''I know the feeling. You don''t know if you want to kiss me or hit me. I get a lot of that.''
Bob Weston (Tony Curtis) to psychologist Helen Gurley Brown (Natalie Wood) in Sex and the Single Girl (1964): ''She''d hit the ceiling if she thought you and me were sitting here alone. You know what she''d figure? She''d figure a broad as pretty as you as got to be on-the-make .''
Forrest Gump (Tom Hanks) about the thing 'That jumped up and bit you' in Vietnam in Forrest Gump (1994): 'Hit me directly in the buttocks . They said it was a million dollar wound , but the army must keep that money because I still ain't seen a nickel of that million dollars.'
Clarence Worley (Christian Slater) in True Romance (1993):''Look at her! She looks like she fell off the ugly tree and hit every branch on the way down .''
''Awfuly cold around the heart .'' Jeff Bailey (Robert Mitchum) describing Miss Carson who is betraying her boss and lover in Out of the Past (1947)
Tenny/Tennyson (E.E. Clive) to Phyllis Clavering (Louise Campbell) in Bulldog Drummond Comes Back (1937): ''Love at first sight is rather like a mule, Miss Clavering. It kicks backward.''
Amber (Elisa Donovan) refusing tennis lessons, and Dionne (Stacey Nash) in Clueless (1995): - Amber: ''Miss Stoguer, my plastic surgeon doesn''t want me doing any activity where balls fly at my face .'' - Dionne: ''Well, there goes your social life .''
In Austin Powers 2 The Spy Who Shagged Me (1999) Austin (Mike Myers) is fired upon by Vanessa, a Fembot with breasts camouflaging machine guns: - Austin: ''Machine gun jubblies! How did I miss those, baby?'' - Fembot: ''Perhaps next time you should try foreplay .''
Amber (Elisa Donovan), about tennis lessons, and Dionne (Stacey Nash) in Clueless (1995): - Amber: ''Miss Stoguer, my plastic surgeon doesn''t want me doing any activity where balls fly at my face .'' - Dionne: ''Well, there goes your social life .''
Rusty Thomas (John Wayne) to author Christopher 'Kit' Madden (Claudette Colbert) in Without Reservation (1946): 'I don't want a woman who's trying to tell the world what to do . I don't even want a woman to tell me what to do . I want a woman who needs me, a Miss Klutch, who's helpless, and cute , and... ah! forget it .'
Rusty Thomas (John Wayne) to author Christopher ''Kit'' Madden (Claudette Colbert) in Without Reservation (1946): ''I don''t want a woman who''s trying to tell the world what to do . I don''t even want a woman to tell me what to do . I want a woman who needs me, a Miss Klutch, who''s helpless, and cute , and... ah! forget it .''
Rusty Thomas (John Wayne) to author Christopher 'Kit' Madden (Claudette Colbert) in Without Reservation (1946): 'I don't want a woman who's trying to tell the world what to do . I don't even want a woman to tell me what to do . I want a woman who needs me, a Miss Klutch, who's helpless, and cute , and... ah! forget it .'
''This is the kind of woman that makes whole civilizations topple.'' Miss Bragg (Kathleen Howard) speaking of Sugarpuss O''Shea (Barbara Stanwyck) in Ball of Fire (1941).
''This is the kind of woman that makes whole civilizations topple.'' Miss Bragg (Kathleen Howard) speaking of Sugarpuss O''Shea (Barbara Stanwyck) in Ball of Fire (1941).
Miss Bragg (Kathleen Howard) speaking of Sugarpuss O''Shea (Barbara Stanwyck) in Ball of Fire (1941): ''If I were the cream-for that woman''s coffee, I''d curdle.'' And later: ''This is the kind of woman that makes whole civilizations topple.''
Miss Bragg (Kathleen Howard) speaking of Sugarpuss O''Shea (Barbara Stanwyck) in Ball of Fire (1941): ''If I were the cream-for that woman''s coffee, I''d curdle.'' And later: ''This is the kind of woman that makes whole civilizations topple.''
Skip tracer Tommy Novak (Clint Eastwood) and his prisoner Lou Ann McGuinn (Bernadette Peters) dressed in flaming red in Pink Cadillac (1989): - Tommy:'If you don't mind my saying so you look dressed-to-kill tonight, Miss McGuinn.' - Lou Ann:'No, I'm dressed to torture . Killing is too good for you.'
Joe Anton (George Raft) to high-society Miss Healy (Constance Cummings) who compared him to a pirate in Night After Night (1932): 'You're just nothing to me, just nothing at all. And if I was a pirate and had you on my ship, I wouldn't toss you to the crew.'
Judge (Ferdinand Gottschlak) and Rosie (Winnie Lightner) in Dancing Lady (1933): - The judge: ''Now, Miss Leroux, just what constitutes a strip-tease?'' - Rosette Henriette Larue: ''A good constitution and a couple of zippers.''
Judge (Ferdinand Gottschlak) and Rosie (Winnie Lightner) in Dancing Lady (1933): - The judge: ''Now, Miss Leroux, just what constitutes a strip-tease?'' - Rosette Henriette Larue: ''A good constitution and a couple of zippers.''
David Huxley (Cary Grant) and Susan Vance (Katharine Hepburn) speaking of David''s fiance in Bringing Up Baby (1938). - David: ''I bet Miss Swallow knows poison ivy when she sees it .'' - Susan: ''I bet poison ivy runs when it sees her.''
David Huxley (Cary Grant) and Susan Vance (Katharine Hepburn) speaking of David''s fiance in Bringing Up Baby (1938). - David: ''I bet Miss Swallow knows poison ivy when she sees it .'' - Susan: ''I bet poison ivy runs when it sees her.''
Lisa Fremont (Grace Kelly) to Jeff/L.B. Jeffries (James Stewart) about Miss Torso, an attractive woman surrounded by men in Rear Window (1954): ''I''d say she''s doing a woman''s hardest job ; juggling wolves.''
Lucy Trager (Gwyneth Paltrow) and her older sister Rebecca Trager Lott (Elizabeth Perkins) in Moonlight and Valentino (1995): - Lucy: 'I need your advice on moaning.' - Rebecca: 'Moaning?' - Lucy: 'Yeah. Now, is it better to moan or to act like you're stifling the moan, or just not to moan at all?' - Rebecca: 'Just be natural. Don't act , just be yourself.' - Lucy: 'Becky, we're not on a talk show, you know , you can tell me for real.' - Rebecca: 'Well, it's been a long time, but in my experience the best thing is to breathe very deeply at first . That way you bring him inside you first through his smell and then through the rhythm of your own breath until those places inside you start to tighten and to tingle until you hit the change. The change is where things really start happening on their own.' - Lucy: 'Hmm, and that's why I do the moaning.' - Rebecca: 'No, that's where you let-go .' - Lucy: 'Let go of what? You're being too vague. Start from the beginning and don't use phrases like 'places inside' and 'hitting the change'. What is that? Be specific, okay? When do I moan? I mean, how long should I do that breathing thing? Should I open my eyes?'
Lucy Trager (Gwyneth Paltrow) and her older sister Rebecca Trager Lott (Elizabeth Perkins) in Moonlight and Valentino (1995): - Lucy: ''I need your advice on moaning.'' - Rebecca: ''Moaning?'' - Lucy: ''Yeah. Now, is it better to moan or to act like you''re stifling the moan, or just not to moan at all?'' - Rebecca: ''Just be natural. Don''t act , just be yourself.'' - Lucy: ''Becky, we''re not on a talk show, you know , you can tell me for real.'' - Rebecca: ''Well, it''s been a long time, but in my experience the best thing is to breathe very deeply at first . That way you bring him inside you first through his smell and then through the rhythm of your own breath until those places inside you start to tighten and to tingle until you hit the change. The change is where things really start happening on their own.'' - Lucy: ''Hmm, and that''s why I do the moaning.'' - Rebecca: ''No, that''s where you let-go .'' - Lucy: ''Let go of what? You''re being too vague. Start from the beginning and don''t use phrases like ''places inside'' and ''hitting the change''. What is that? Be specific, okay? When do I moan? I mean, how long should I do that breathing thing? Should I open my eyes?''


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hips, lips and armpits
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his lordship
His Majesty in purple cap
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hit
hit and miss
hit and run guy
hit and run sex
hit it off
hit on (someone)
hit on Rosy Palm
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Dictionary of Sexual Terms - 24150 terms and expressions, 3500 quotes, 47000 synonyms
Dictionary of the F-Word - 865 terms and expressions 200 quotes, 2200 synonyms
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