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in-call:
In prostitution , to receive customers in one's apartment.
SEE ALSO: out-call .


See Also: Noli me vocare, ego te vocabo, piss call, Hands off your cocks, feet in your socks!, hear the call, C-girl, C-lady, apartment girl, call flat, call joint, bull-ring clamp, hardware shop, Elvira, out-call, in-call, mother nature calls, striptease to go, telephone house, work from the book, escort, call girl, vomit, defecation, damaged goods, roll, dance, commercial phone sex, coyote, cybergrrl, call house, call-a-date, booty, escort agency, escort service, house, house prostitute, incest, involutional depression, meat-seeking pissile, respectable whore, take-out hooker, telephone sex, urination,

Quotes Containing in-call:
In Action Jackson (1988): ''They oughta call your place the House of Whacks.''
In Action Jackson (1988): ''They oughta call your place the House of Whacks.''
Robbie Ross (George Segal) and his ex-wife Natasha O'Brien (Jacqueline Bisset) in Who is Killing the Great Chefs of Europe? (1978): - Robbie: 'You don't call a roll-in-the-hay with your secretary adultery .' - Natasha: 'What would you call it? Shorthand?'
Vince Boudreaux (Woody Harrelson) in Play It To The Bone (1999): ''If a man builds a thousand bridges and sucks one dick , they don''t call him a bridge-builder; they call him a cocksucker .''
Alabama (Patricia Arquette) to Clarence Worley (Christian Slater) in True Romance (1993): ''Please shut up! I''m trying to come-clean , okay? I''ve been a call-girl for exactly four days and you''re my third customer. I want you to know that I''m not damaged-goods . I''m not what they call Florida white trash. I''m a good person and when it comes to relationships, I''m one-hundred percent, I''m one hundred percent... monogamous .''
Robbie Ross (George Segal) and his ex-wife Natasha O''Brien (Jacqueline Bisset) in Who is Killing the Great Chefs of Europe? (1978): - Robbie Ross: ''You don''t call a roll-in-the-hay with your secretary adultery .'' - Natasha O''Brien: ''What would you call it? Shorthand?''
Mitch Robbins (Billy Crystal) adressing his son''s class in City Slickers (1991):''Value this time in your life , kids, because this is the time in your life when you still have your choices. It goes by so fast. When you''re a teenager , you think you can do anything and you do . Your twenties are a blur. Thirty, you raise your family , you make a little money and you think to yourself: What happened to my twenties? Forties, you grow a little pot belly , you grow another chin. The music starts to get too loud. One of your old girlfriends from high school becomes a grandmother. Fifties, you have a minor surgery. You''ll call-it ''a procedure'' but it''s a surgery. Sixties, you''ll have a major surgery. The music is still loud but it doesn''t matter because you can''t hear it anyway. Seventies, you and the wife retire to Fort Lauderdale, start eating dinner at two o''clock in the afternoon . You have lunch around ten , breakfast the night before. Spend most of your time wandering around malls, looking for the ultimate soft yogourt and muttering: How come the kids don''t call? The eighties, you have a major stroke . You end up blabbering to some Jamaican nurse that your wife can''t stand and that you call mama. Any questions?''
Bruce Rodgers. The Queens'' Vernacular (1972): ''We call-it fish , darling because it absolutely smells like one - a dead one.''
''We call her Turnpike, because you gotta pay to get-on and pay to get off!'' Dorinda (Nichelle Nichols) in Truck Turner (1974)
''We call her Turnpike, because you gotta pay to get-on and pay to get off!'' Dorinda (Nichelle Nichols) in Truck Turner (1974)
Ambrose Bierce (Gregory Peck) to Harriet Winslow (Jane Fonda) in Old Gringo (1989): 'Man, as you know , is one of the most pathetic creatures on earth, condemned to a desire that contradicts all the laws of nature, to close the gap between two human beings. Some call this desire of love , and it is desperately impossible to satisfy.'
Bruce (Johnny Yune) in They Call Me Bruce? (1982): ''I''m a sex-object . Women ask me for sex and I object.''
Bruce (Johnny Yune) in They Call Me Bruce? (1982): ''I''m a sex-object . Women ask me for sex and I object.''
Frank Broderick (Henry Fonda) and Bob Weston (Tony Curtis) in Sex and the Single Girl (1964): - Frank: 'What do you call-it when you hate the woman you love?' - Bob: 'A wife .'
Forrest (Rachel Ward) to Rigby Reardon (Steve Martin) in Dead Men Don''t Wear Plaid (1982): ''If you need me, just call. You know how to dial, don''t you? You just put your finger in the hole and make tiny little circles. ''
From Encyclopedia of Graffiti by Robert Reisner & Lorraine Wechsler (1974): - ''Incest, a game the whole family can play.'' - ''Call it incest , but I want my mommy.'' - ''Incest is relative.'' - ''Vice is nice, but incest is best.''
'If you need me, just call. You know how to dial, don't you? You just put your finger in the hole and make tiny little circles. ' Juliet Forrest (Rachel Ward) to Rigby Reardon (Steve Martin) in Dead Men Don't Wear Plaid (1982)
Philip Marlowe (Humphrey Bogart) and lady taxi-driver (Joy Barlowe) in The Big Sleep (1946: - Lady: 'If you can use me again sometime, call this number.' - Philip: 'Day and night?' - Lady: 'Night's better. I work during the day.'
Call-in radio show ''Doctor'' Shirlee Kenyan (Dolly Parton) to one of her callers in Straight Talk (1992): ''Like my daddy always used to say: a bird and a fish can fall in-love , but where do they make a home?''
Anna (Edra Gale) and her husband Fritz (Peter Sellers) in What's New Pussycat? (1965): - Anna: 'Lascivious adulturer!!! - Fritz: 'Don't you dare call me that again until I've looked it up .'
Frank Broderick (Henry Fonda) and Bob Weston (Tony Curtis) Sex and the Single Girl (1964): - Frank: ''What do you call-it when you hate the woman you love?'' - Bob: ''A wife .''
Juliet Forrest (Rachel Ward) to Rigby Reardon (Steve Martin) in Dead Men Don''t Wear Plaid (1982): ''If you need me, just call. You know how to dial, don''t you? You just put your finger in the hole and make tiny little circles. ''
Juliet Forrest (Rachel Ward) to Rigby Reardon (Steve Martin) in Dead Men Don''t Wear Plaid (1982): ''If you need me, just call. You know how to dial, don''t you? You just put your finger in the hole and make tiny little circles. ''
''Now let me get this straight . You got a wife and you got a girlfriend in the office? Did you say your name was Bud or Stud? I''m sorry, but it sounds to me like you''re living your life so crooked you have to screw your socks on . Having an affair is like shooting pool on two tables. You may have the balls , Bud, but you''re gonna wear out your stick .'' Shirlee Kenyan (Dolly Parton) hosting a radio call-in show in Straight Talk (1992)
Rhett Butler (Clark Gable) to Scarlett O''Hara (Vivien Leigh) in Gone with the Wind (1939): ''I love you Scarlett. In spite of you and me and the whole silly world going to pieces around us. I love you because we''re alike, bad lots the both of us, selfish and shrewd, but able to look things in the eyes and call them by their right names. (...) Scarlett! Look at me. I''ve loved you more than I''ve ever loved any woman and I''ve waited longer for you than I''ve ever waited for any woman . (...) Here''s a soldier of the South who loves you, Scarlett, wants to feel your arms around him, wants to carry the memory of your kisses into battle with him. Never mind about loving me. You''re a woman sending a soldier to his death with a beautiful memory. Scarlett, kiss me, kiss me, once.''
Captain Rhett Butler (Clark Gable) to Scarlett O'Hara (Vivien Leigh) in Gone with the Wind (1939): 'I love you Scarlett. In spite of you and me and the whole silly world going to pieces around us. I love you because we're alike, bad lots the both of us, selfish and shrewd, but able to look things in the eyes and call them by their right names. Scarlett! Look at me. I've loved you more than I've ever loved any woman and I've waited longer for you than I've ever waited for any woman . Here's a soldier of the South who loves you, Scarlett, wants to feel your arms around him, wants to carry the memory of your kisses into battle with him. Never mind about loving me. You're a woman sending a soldier to his death with a beautiful memory. Scarlett, kiss me, kiss me, once.'


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in the raw
in the Red Sea
in the sack
in the saddle
in the skin
in the spud line
in the state of single blessedness
in the throes of (love)
in the trade
in to the hilt
in trouble
in up to the eyes
in up to the gills
in up to the neck
in utero
in vaginam
in young
in-and-in
in-and-out
in-and-out jig
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Dictionary of Sexual Terms - 24150 terms and expressions, 3500 quotes, 47000 synonyms
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