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she/he:
Or: she-he / s/he :

1. An effeminate male.

2. A male homosexual .




See Also: fair game, fag hag, hurl, babe-a-licious, babellicious, beating fantasies, Stroke-Ability Scale, arse from elbow down, cock in her eye, cock-pleaser, Jewish American Princess, flapper, on the make, poperin pear, token, warheads, etcaetera, etcetera, fuckable, full-bosomed, crack a pitcher, crack the pipkin, crack the pitcher, cracked pipkin, cracked pitcher, have a reputation, ball-busting, tomboy, no, curvesome, curvy, game, fake it, fine figure, die for, come across, bend over, bicycle, birdcage, article, phobia, piece, pro, pitcher, town bike, to die for, wap, war paint, water works, waterworks, wench of the game, what it takes, woman, walk the streets, streetwalking, up one's butt, village bicycle, village bike, rosebush, s/he, saving it for marriage, saving it for the worms, shake the sheets, she/he, slick chick, snap-on (tool), sourpuss, PO-ed, rasper, public ledger, put out, picklepuss, pair, mount, libber, little woman, the, lost sex, man-proof, melted butter, Athor, abortion-on-demand, act of shame, anything in trousers, birth control clinic, bit of fluff, blackness, betty, belt-fed mortar, bend, concubine, collar and cuff, collars and cuffs, Can you insert a Tampax?, carrying, chew, chew it, christened with a pump handle, Circe, cute number, cyberfeminism, dairies, cuckold the parson, cunny, diamond-digger, dorsal lithotomy, double feature, draggle-tail, drawers, easy on the eyes, easy to look at, fuck like a minx, flirty, ferry, gamester, gavabos, fucks like a minx, give a blow job, give head, go down on (someone), go potty, go to pot, guttersnipe, hatch, hatchway, Hathor, goodies, heat, heels in the air, Isolde, JAP, curvaceous, babe, bad reputation, reputation, sex appealing, sexually appealing, vomit [DEF[, misogyny, dame, flirt, broad, bisexual, bone, measurements, cunt, cabbage, anal sex, French kiss, French kissing, doll, equipment, good woman, motor, pickup, pervert, wench, whoopee, wet noodle, well-equipped, Watering the Oak Tree, piece of meat, piece of tail, pissed off, pissing someone off, quandong, peach, minx, matrimony, make the beast with two backs, making the beast with two backs, live wire, stroke, unwritten law, sure thing, sweater girl, thing, tits and ass, sexual asphyxia, squirrel, street girl, street walker, street whore, street worker, streetwalker, fundament, funniment, get physical, in heat, lady-killer, ladylike, lib, homely, gun, he/she, double moral standard, double sexual standard, double standard, do the beast with two backs, do the two-backed beast, double event, fanny, flirtatious, flat-backer, adulterer, act, a piece of meat, a piece of tail, ball-breaker, ball-buster, bike, bum, bumper, bobtail, B-girl, bar girl, beast with two backs, Cateracts of the Nile, coming out, cute trick, double entendre, sex appeal, wife, whore, sex drive, divorce, horniness, deflower, come out, attractive, orgasm,

Quotes Containing she/he:
Sheridan ''Sheri'' Whiteside (Monty Woolley) to his nurse in The Man Who Came to Dinner (1942): ''My great-aunt Elizabeth ate a box of chocolates every day of her life . She lived to be 102, and when she had been dead three days, she looked healthier than you.''
Molly Monahan (Barbara Stanwyck) to Jeff Butler (Joel McCrea) in Union Pacific (1939): ''You think I''m an outrageous flirt . (...) But didn''t you ever know that flirting get''s into a woman''s blood like fighting get''s into a man''s? Now a girl begins coquetting to discover if she has the power. Then she goes looking, like a fighter after a bully , for the hardest man to conquer, but it''s never the man she wants, it''s the pleasure of bringing him to her feet.''
Horace Vandergelder (Paul Ford), at 65, plans to marry again in The Matchmaker (1958): 'I like my house run well, with order, comfort and economy. That's a woman's work . But even a woman can't do-it well if she's merely paid for it . In order to run a house well a woman must have the feeling that she owns it . So, marriage is a bribe to make a housekeeper think she's a householder.'
Allen Francis Doyle (Glenn Quinn) and Angel/Angelus (David Boreanaz) in the TV series Angel (1999): - Allen: 'She has a certain... charm to her.' - Angel: 'You think she's a hottie.' - Allen: 'Oh yeah, she's a stiffener, I can't lie about that.'
Garth Algar (Dana Carvey) and Wayne Campbell (Mike Myers) in Wayne's World (1992): - Garth: 'Wayne, what do you do if every time you see this one incredible woman you think you're going to hurl?' - Wayne: 'I say hurl . If you blow-chunks and she comes back , she's yours. If you spew and she bolts, it was never meant to be.'
Sheridan ''Sheri'' Whiteside (Monty Woolley) to his nurse in The Man Who Came to Dinner (1942): ''My great-aunt Elizabeth ate a box of chocolates every day of her life . She lived to be 102, and when she had been dead three days, she looked healthier than you.''
Clarence Worley (Christian Slater) in True Romance (1993):''Look at her! She looks like she fell off the ugly tree and hit every branch on the way down .''
Jerry (Jack Lemmon) watching Sugar Kane (Marilyn Monroe) walk in Some Like It Hot (1959): ''Look how she moves. Just like Jell-O on springs. She must have a built-in motor or something.''
''Not ''Anytime Annie''?! (...) She only said ''no'' once and then she couldn''t hear the question.'' Andy Lee (George E. Stone) speaking of Ann Lowell (Ginger Rogers) in 42nd Street (1933).
''Not ''Anytime Annie''?! (...) She only said ''no'' once and then she couldn''t hear the question.'' Andy Lee (George E. Stone) speaking of Ann Lowell (Ginger Rogers) in 42nd Street (1933).
Beryl Muddle (J. McKenzie) and Wally Mellish (Colin Frields) in Mr. Reliable (1996): - Beryl: 'Mom says that if she was married to you she would poison your coffee.' - Wally: 'If I was married to her, I'd drink it .'
Allan (Woody Allen) thinking of his wife Nancy in Play It Again, Sam (1972): ''I wonder if she actually had an orgasm in the two years we were married or did she fake-it that night?''
Henry Davenport (David Swift) and Joy Merryweather (Susannah Doyle) in Drop the Dead Dorkey (1990): - Henry: ''Last week I took this actress back to my flat. She had five orgasms!'' - Joy: ''Oh, she must be a bloody good actress!''
Lt. Frank Drebin (Leslie Nielsen) describing Jane Spencer (Priscilla Presley) in The Naked Gun (1988): ''Her hair was the color of gold in old paintings. She had a full set of curves and the kind of legs you''d kinda love to suck on for a day. She was giving me a look I could feel in my hip pocket.''
Lorelei Lee (Marilyn Monroe) to Dorothy Shaw (Jane Russell) who is in-love-with a cheap detective in Gentlemen Prefer Blondes (1953): - Lorelei: 'You don't want to end up with a loveless marriage , do you?' - Dorothy: 'Me?! Loveless?!' - Lorelei: 'That's right. Because if a girl spends all her time worrying about the money she doesn't have, how is she going to have any time for being in love? I want you to find happiness and stop having fun.'
Paula (Lana Turner) and Jonny (Clark Gable) in Somewhere I''ll Find You (1942): - Paula Lane: ''Any gal that listens to the howl of a wolf is a gonner.'' - Jonny Davis: ''Little Riding Hood didn''t do so bad .'' - Paula Lane: ''She didn''t do so good either... ''til she got wise.''
Peter Warne (Clark Gable) to Ellie's (Claudette Colbert) father Alexander Andrews (Walter Connelly) in It Happened One Night (1934): 'What she needs is a guy who'd take a sock at her once a day whether she deserves it or not.'
Peter Warne (Clark Gable) to Ellie''s (Claudette Colbert) father Alexander Andrews (Walter Connelly) in It Happened One Night (1934): ''What she needs is a guy who''d take a sock at her once a day whether she deserves it or not.''
Huey Walker (Dennis Hopper) about a busty redhead in Flashback (1989): ''She looks like she was shot in the back by a pair of Cruise missiles. ''
Peter Warne (Clark Gable) to Ellie's (Claudette Colbert) father Alexander Andrews (Walter Connelly) in It Happened One Night (1934): 'What she needs is a guy who'd take a sock at her once a day whether she deserves it or not.'
Mrs. Garner (Doreen Lang) to Terry Dean (Paul Hogan) in Almost an Angel (1990): 'A woman should be told she's attractive and desirable otherwise she ceases to be either.'
Andrew Dice Clay guest starring on the Rodney Dangerfield comedy special Nothin'' Goes Right (1988): ''Old Mother Hubbard / Went to the cupboard / To get her old dog a bone . / She bent over / Rover took over / She got a bone of her own.''
Clarence Worley (Christian Slater) in True Romance (1993):''Look at her! She looks like she fell off the ugly tree and hit every branch on the way down .''
Carbo (Jan-Michael Vincent) and Luke Matthews (James Coburn) in Bite the Bullet (1975): - Carbo: 'When a woman does it for money ...' - Luke: 'The man always gets the best of the bargain. Before you take her to bed , she's a thing of beauty ; in bed , an angel of mercy; and afterwards, she's a...' - Carbo: 'A whore ...' - Luke: '...a pillow of peace.'
''The difference between a lady and a flower girl is not how she behaves but how she is treated.'' Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964)
Henry Davenport (David Swift) and Joy Merryweather (Susannah Doyle) in Drop the Dead Dorkey (1990): - Henry: 'Last week I took this actress back to my flat. She had five orgasms!' - Joy: 'Oh, she must be a bloody good actress!'
Allan (Woody Allen) thinking of his wife Nancy in Play It Again, Sam (1972): 'I wonder if she actually had an orgasm in the two years we were married or did she fake-it that night?'
''The difference between a lady and a flower girl is not how she behaves but how she is treated.'' Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964)
The Emcee (Joel Grey) in Cabaret (1972): 'I only yesterday said: I want you for my wife . And she said: Your wife , what would she want with me?'
Andrew Dice Clay guest starring on the Rodney Dangerfield comedy special Nothin'' Goes Right (1988): ''Old Mother Hubbard / Went to the cupboard / To get her old dog a bone . / She bent over / Rover took over / She got a bone of her own.''
''Her hair was the color of gold in old paintings. She had a full set of curves which nobody had been able to improve upon. She was giving me the kind of look I could feel in my hip pocket.'' Philip Marlowe (Robert Mitchum) speaking about Velma Grayle (Charlotte Rampling) in Farewell, My Lovely (1975)
Lt. Frank Drebin (Leslie Nielsen) describing Jane Spencer (Priscilla Presley) in The Naked Gun (1988): ''Her hair was the color of gold in old paintings. She had a full set of curves and the kind of legs you''d kinda love to suck on for a day. She was giving me a look I could feel in my hip pocket.''
Andy Lee (George E. Stone) speaking of Ann Lowell (Ginger Rogers) in 42nd Street (1933): 'Not 'Anytime Annie'?! (...) She only said 'no' once and then she couldn't hear the question.'
'I hope you don't mind working under a woman .' Michelle Huddleston (Brenda Bakke) to Topper Harley (Charlie Sheen) in Hot Shots! Part Deux (1993): 'She means taking orders from a woman , or does she?'
Henry Davenport (David Swift) and Joy Merryweather (Susannah Doyle) in Drop the Dead Dorkey (1990): - Henry: ''Last week I took this actress back to my flat. She had five orgasms!'' - Joy: ''Oh, she must be a bloody good actress!''
Allan (Woody Allen) thinking of his wife Nancy in Play It Again, Sam (1972): ''I wonder if she actually had an orgasm in the two years we were married or did she fake-it that night?''
''The difference between a lady and a flower girl is not how she behaves but how she is treated.'' Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964)
''Pay a woman a compliment, she tries to turn it into a contract.'' Venneker (Peter Ustinov) in The Sundowners (1960)
''If she''s a dame , she wants romance .'' Eddie O''Brien (Gene Kelly) in Take Me Out to the Ball Game (1949)
Lady Lou (Mae West) in She Done Him Wrong (1933): ''When women go wrong, men go right after them.''
Dorothy Parker: 'That woman speaks eighteen languages and she can't say 'no' in any one of them.'
'She can chew on my mocassin anytime.' Joe Lightcloud (Elvis Presley) in Stay Away, Joe (1968)
Alan to Hugh Grant in Notting Hill (1999): ''She kisses like a nymphomaniac on death row.''
Lady Lou (Mae West) in She Done Him Wrong (1933): ''When women go wrong, men go right after them.''
''She''s so anally retentive she wouldn''t sit down for fear of sucking up the furniture.'' Patsy Stone (Joanna Lumley) in Absolutely Fabulous (1992)
''She''s so anally retentive she wouldn''t sit down for fear of sucking up the furniture.'' Patsy Stone (Joanna Lumley) in Absolutely Fabulous (1992)
Beatrice Skeffington (Bette Davis) quoting her husband in Mr. Skeffington (1944): ''Job says that a woman is beautiful only when she is loved.''
''She was real easy-to-look-at but I hoped I never saw her again.'' Smith (Bruce Willis) in Last Man Standing (1999)
Moose Malloy (Mike Mazurki) in Murder, My Sweet (1945): ''She was cute as lace pants.''
Eddie O''Brien (Gene Kelly) in Take Me Out to the Ball Game (1949): ''If she''s a dame , she wants romance .''
Robert Schimmel guest star on the Rodney Dangerfield comedy special Nothin'' Goes Right (1988): ''Some of these guys only like it if they think the girl doesn''t like it ; it''s some sort of weird power trip thing for these guys. It''s like anal-sex . I think if you really wanted to try that with a girl and she said: ''OK, but be really gentle because no one ever did anything like this to me before.'' You''d get the hard-on of a lifetime. But if she said: ''Give me that big dick and drive me around the block .'' You wouldn''t be able to get-it-up if there was money involved.''
Lawrence Paros. The Erotic Tongue (1984): ''Unfortunately, the only question he [the male] has in mind is: Is she easy (since 17th C), loose (since 15th C), fast (18th C), swift (late 19-20th C), speedy (c. 1923), light (14th C), or convenient (19thC)? Does she go all the way(mid-20th C), the whole route (19-20th C), or the limit (c. 1916)? Once we have the answer to that question, we have established what is called a reputation (since 18th C).''
Lady Lou (Mae West) in She Done Him Wrong (1933): ''When women go wrong, men go right after them.''
Lady Lou (Mae West) in She Done Him Wrong (1933): ''When women go wrong, men go right after them.''
Lady Lou (Mae West) in She Done Him Wrong (1933): ''When women go wrong, men go right after them.''
Lady Lou (Mae West) in She Done Him Wrong (1933): ''When women go wrong, men go right after them.''
Whitney (Nicole Bilderback) in Bring It On (2000): ''She puts the itch in bitch .''
Dark Helmet (Rick Moranis) at the sight of a pretty woman in Spaceballs (1987): ''I''ll bet she gives great helmet .''
Anonymous: ''She didn''t like to wrestle, but you should see her box .''
''If she''s a dame , she wants romance .'' Eddie O''Brien (Gene Kelly) in Take Me Out to the Ball Game (1949)
''Pay a woman a compliment, she tries to turn it into a contract.'' Venneker (Peter Ustinov) in The Sundowners (1960)
''Pay a woman a compliment, she tries to turn it into a contract.'' Venneker (Peter Ustinov) in The Sundowners (1960)
''If she''s a dame , she wants romance .'' Eddie O''Brien (Gene Kelly) in Take Me Out to the Ball Game (1949)
Philo Grant (Michael Wincott) in Strange Days (1995): 'The only time a whore should open her mouth is when she is giving head .'
In Blume in Love (1973: ''She took your whoopee and whipped you with it .''
Iram Katourian (Jack Lemmon) talking to his mistress Irene (Joanna Gleason) about his wife Millie (Talia Shire) in For Richer, For Poorer (1992): - Irene: ''Iram, do you really think that your money has anything to do with Millie''s sex drive?'' - Iram: ''Oh, absolutely. You''ve heard the phrase: power is an aphrodisiac? That applies to marriage especially. See, a poor man has tremendous power over his wife . She needs him. Without his support, her, the kids... she humps the hell out of him. The richer a man is the less his wife is depending upon him, the less power he has over her and the less sexy he becomes to her. It''s a law of nature.'' - Irene: ''Horniness equals dependence times poverty squared.''
Andrew Benson (Kenneth Branagh) in Peter?s Friends (1992): 'She seems to exist on a diet of fresh air and boinking .'
Old Atrocity (Walter Brennan) speaking of Mary Rutledge/Swan (Miriam Hopkins) in Barbary Coast (1935): 'She can be the orneriest critter!'
Joan Rivers'' Salute to Heidy Abromowitz (1985): ''In a sweater she looked like a walking Dairy State.''
Old Atrocity (Walter Brennan) speaking of Mary Rutledge/Swan (Miriam Hopkins) in Barbary Coast (1935): ''She can be the orneriest critter!''
Lawrence Paros. The Erotic Tongue (1984): ''Unfortunately, the only question he [the male] has in mind is: Is she easy (since 17th C), loose (since 15th C), fast (18th C), swift (late 19-20th C), speedy (c. 1923), light (14th C), or convenient (19thC)? Does she go all the way(mid-20th C), the whole route (19-20th C), or the limit (c. 1916)? Once we have the answer to that question, we have established what is called a reputation (since 18th C).''
Seth Winnick about ''hot'' Chelsea Turner in Love Sucks (2000): ''She could steam-clean carpets. ''
Old Atrocity (Walter Brennan) speaking of Mary Rutledge/Swan (Miriam Hopkins) in Barbary Coast (1935): 'She can be the orneriest critter!'
''She seems to exist on a diet of fresh air and boinking .'' Andrew Benson (Kenneth Branagh) in Peter''s Friends (1992)
Eddie O''Brien (Gene Kelly) in Take Me Out to the Ball Game (1949):''If she''s a dame , she wants romance .''
Mike Campbell (Mike Meyers) about Claudia Schiffer in Wayne''s World (1992): ''She tested vey high on the strokability scale''.
Han Solo in Star Wars: ''She may not look like much, but she''s got it where it counts, kid.''
Mike Campbell (Mike Meyers) about Claudia Schiffer in Wayne''s World (1992): ''She tested vey high on the strokability scale''.
Han Solo in Star Wars: ''She may not look like much, but she''s got it where it counts, kid.''
Austin Powers (Mike Myers) in Austin Powers (1998): ''I''ll bet she shags like a minx .''
Iram Katourian (Jack Lemmon) talking to his mistress Irene (Joanna Gleason) about his wife Millie (Talia Shire) in For Richer, For Poorer (1992): - Irene: 'Iram, do you really think that your money has anything to do with Millie's sex drive?' - Iram: 'Oh, absolutely. You've heard the phrase: power is an aphrodisiac? That applies to marriage especially. See, a poor man has tremendous power over his wife . She needs him. Without his support, her, the kids... she humps the hell out of him. The richer a man is the less his wife is depending upon him, the less power he has over her and the less sexy he becomes to her. It's a law of nature.' - Irene: 'Horniness equals dependence times poverty squared.'
Howard Bannister (Ryan O''Neal) pushing Judy Maxwell (Barbra Streisand) on the ledge of his hotel room because his jealous fiance Eunice is knocking at the door in What''s Up, Doc? (1972): - Judy: ''I can''t! I''m terrified of heights. I have heights-a-phobia.'' - Howard: ''Look, there''s a ledge.'' - Judy: ''I have ledge-a-phobia.'' - Howard: ''She has a violent temper.'' - Judy: ''I can''t.'' - Howard: ''She knows karate.'' - Judy: ''Maybe I can .''
Dorothy Parker: ''That woman speaks eighteen languages and she can''t say ''no'' in any one of them.''
''She seems to exist on a diet of fresh air and boinking .'' Andrew Benson (Kenneth Branagh) in Peter''s Friends (1992)
Dorothy Parker: ''That woman speaks eighteen languages and she can''t say ''no'' in any one of them.''
''That''s Henry''s mother , the black sheep of the family . She took so many strokes in the Sixties they called her the U.S. Open.'' Kitty (Catherine Zeta Jones) about her future mother-in-law Duchess Lucinda (Barbara Hershey) in Splitting Heirs (1993)
Julie Blair (Karen Sharpe) and Jerome Littlefield (Jerry Lewis) in The Disorderly Orderly (1964): - Julie: ''You loved your father, didn''t you?'' - Jerome: ''Love you can''t help, but I also respected and admired my father. Respect and admiration you have to earn.'' - Julie: ''Who else have you ever loved?'' - Jerome: ''Oh, well, I loved his wife . She was like a mother to me.''
Julie Blair (Karen Sharpe) and Jerome Littlefield (Jerry Lewis) in The Disorderly Orderly (1964): - Julie: ''You loved your father, didn''t you?'' - Jerome: ''Love you can''t help, but I also respected and admired my father. Respect and admiration you have to earn.'' - Julie: ''Who else have you ever loved?'' - Jerome: ''Oh, well, I loved his wife . She was like a mother to me.''
''That''s Henry''s mother , the black sheep of the family . She took so many strokes in the Sixties they called her the U.S. Open.'' Kitty (Catherine Zeta Jones) about her future mother-in-law Duchess Lucinda (Barbara Hershey) in Splitting Heirs (1993)
Producer-director Oscar Jaffe (John Barrymore) about stage star Lily Garland/Mildred Plotka (Carole Lombard) in Twentieth Century (1934): 'I wouldn't take that woman back if she and I were the last people in the world ... and the future of the human race depended on it .'
Madge (Bette Davis) in Cabin in the Cotton (1932):'I'd love to kiss you, but I just washed my hair.' She says it with a thick accent: 'Ah'd love t'kiss you but ah jes washed mah hayuh.'
Matt Nolan (James Cagney) in Taxi! (1932): 'I wouldn't go-for that dame if she was the last woman on earth... and I'd just got out of the navy.'
''Do you know that she makes forty-five dollars a week and sends her mother a hundred of it .'' Ann Lowell/Anytime Annie (Ginger Rogers) maligning a co-dancer in 42nd Street (1933).
''Twenty years on the China seas and she never lost a spangle.'' Jamesy McArdle (Wallace Beery) watching China Doll Portland (Jean Harlow) walking down the steps in a spangled dress in China Seas (1935).
Annie (Diane Keaton) relating her conversation with her analyst to Alvy Singer (Woody Allen) in Annie Hall (1977) - Annie:''Then she mentioned penis-envy . Do you know about that?'' - Alvy: ''Me?! I''m one of the few males who suffer from that.''
Uncle Benny (Ned Beatty) peeping on his sunbathing neighbor Storm Reynolds (Sam Jenkins) with a looking glass in Ed and His Dead Mother (1994): 'Sex! That's what it's all about. From the onset of puberty it's what occupies ninety percent of our time, the pursuit of sex , right? Ed, sex is life and if it was a pronoun she'd be IT.'
Chrissy (Rita Wilson) and Roberta (Rosie O''Donnell) looking at the magazine cover featuring Teeny Terrell (Melanie Griffith) in Now and Then (1995): - Chrissy: ''Can you believe this tramp? Now what is it that she has that gets people so excited?'' - Roberta: ''Long legs, a tiny waist and perky breasts. ''
Chrissy (Rita Wilson) and Roberta (Rosie O''Donnell) looking at the magazine cover featuring Teeny Terrell (Melanie Griffith) in Now and Then (1995): - Chrissy: ''Can you believe this tramp? Now what is it that she has that gets people so excited?'' - Roberta: ''Long legs, a tiny waist and perky breasts. ''
Movie producer Frank Musso (Joe Mantegna) seduced by Norma Jean Hazelrigg (Cassidy Rae) in National Lampoon's Favorite Deadly Sins (1995): 'Before I knew what was happening she was doing things to me that I hadn't even done to me, things that Masters never told Johnson, that Kinsey kept out of his report. And when it was all over I found myself in much deeper than I had planned.'
''Do you know that she makes forty-five dollars a week and sends her mother a hundred of it .'' Ann Lowell/Anytime Annie (Ginger Rogers) maligning a co-dancer in 42nd Street (1933).
''Twenty years on the China seas and she never lost a spangle.'' Jamesy McArdle (Wallace Beery) watching China Doll Portland (Jean Harlow) walking down the steps in a spangled dress in China Seas (1935).
Edward Lewis (Richard Gere) and Vivian Ward (Julia Roberts) in Pretty Woman (1990): - Edward: 'So, what happens after he climbs the tower and rescues her?' - Vivian:'She rescues him right back!'
Professor Henry Higgins (Leslie Howard) in Pygmalion (1938):'I find that the moment I let a woman make friends with me, she becomes jealous, exacting and a confounded nuisance.'
Una (Lauren Tom) about her superstitious China-born mother in The Joy Luck Club (1993):''So my mom sees this miror at the foot of our bed and she says: Aie-ya! A mirror is bad luck. All the romance will hit the mirror, pooom, go back the opposite direction.''
Benjy Stone (Mark Linn-Baker) and Alan Swan (Peter O''Toole) about women in general in My Favorite Year (1982): - Benjy:''I don''t know what she wants.'' - Alan:''Romance, Stone. That''s the only thing we can be sure they all want.''
Wyatt Earp (James Garner) about Calamity Jane in Sunset (1988): ''Mary Jane Canary was a dear and selfless woman , but she looked like an unmade bed .''
Chrissy (Rita Wilson) and Roberta (Rosie O''Donnell) looking at the magazine cover featuring Teeny Terrell (Melanie Griffith) in Now and Then (1995): - Chrissy: ''Can you believe this tramp? Now what is it that she has that gets people so excited?'' - Roberta: ''Long legs, a tiny waist and perky breasts. ''
Anita Miller (Zooey Deschanel), Elaine Miller (Frances McDormand) and William Miller (Patrick Fugit) in Almost Famous (2000): - Anita Miller: ''Feck you!'' (...) - Elaine Miller: ''Well there it is, your sister used the F- word.'' - William Miller: ''I think she said feck .'' - Elaine Miller: ''What''s the difference?'' - William Miller: ''The letter u.''
P.I. Philip Marlow (Dick Powell) speaking of Ann Grayle (Anne Shirley) in Murder, My Sweet (1945): ''Not a beautiful face but a good face . She had a face like a Sunday school picnic .''
Lt. Frank Drebin (Leslie Nielsen) to Tanya after she offered to take him on as her second lover in The Naked Gun 33 1/3 - The Final Insult (1994): ''Kinky, but I like my sex the way I play basketball: one on one and with as little dribbling as possible.''
Connie (Audrey Meadows) about Cathy (Doris Day) in That Touch of Mink (1962): ''She''s going to spend the rest of her life saing: ''I''m not that kind of a girl''. I''m only afraid that some day, before she''s finished saying it , she will be.''
Billie Dawn (Melanie Griffith) to her boyfriend (John Goodman) when she was almost caught kissing Paul Verral (Don Johnson) in Born Yesterday (1993): ''Paul just taught me a little French .''
Frank Musso (Joe Mantegna) about Norma Jean (Cassidy Rae) in National Lampoon''s Favorite Deadly Sins (1995): ''She was the only woman I ever met who could French-kiss through bulletproof glass.''
Zeke (Tully Marshall) to Breck Coleman (John Wayne) in The Big Trail (1931): ''Well, you can never tell how a woman feels by the way she acts. They''re''s all riddles all of ''em. And you just gotta guess ''em. And no matter which way you guess, you''re wrong.''
Zeke (Tully Marshall) to Breck Coleman (John Wayne) in The Big Trail (1931): 'Well, you can never tell how a woman feels by the way she acts. They're's all riddles all of 'em. And you just gotta guess 'em. And no matter which way you guess, you're wrong.'
A typical Fishism by Richard Fish (Greg Germann) from the TV series Ally McBeal (1997): 'You know , I had a great aunt once who said if you stare at a beautiful woman too long, you turn to stone. She was partially right.'
Junior (Bob Hope) in Son of Paleface (1952): ''I like to kiss this girl because she has just the type of lips I like, one on top and one on the bottom .''
Zeke (Tully Marshall) to Breck Coleman (John Wayne) in The Big Trail (1931): 'Well, you can never tell how a woman feels by the way she acts. They're's all riddles all of 'em. And you just gotta guess 'em. And no matter which way you guess, you're wrong.'
Garth Algar (Dana Carvey) in Wayne''s World (1992): ''That''s a babe! She makes me feel kind-a funny, like when we used to climb the rope in gym class.''
David Huxley (Cary Grant) and Susan Vance (Katharine Hepburn) speaking of David''s fiance in Bringing Up Baby (1938). - David: ''I bet Miss Swallow knows poison ivy when she sees it .'' - Susan: ''I bet poison ivy runs when it sees her.''
Chrissy (Rita Wilson) and Roberta (Rosie O'Donnell) looking at the magazine cover featuring Teeny Terrell (Melanie Griffith) in Now and Then (1995): - Chrissy: 'Now what is it that she has that gets people so excited?' - Roberta: 'Long legs, a tiny waist and perky breasts. '
John Wilmot, Earl of Rochester. A Ramble in St. James''s Park 1680: ''Had she picked out , to rub her arse on / Some stiff-pricked clown or well-hung parson.''
David Huxley (Cary Grant) and Susan Vance (Katharine Hepburn) speaking of David''s fiance in Bringing Up Baby (1938). - David: ''I bet Miss Swallow knows poison ivy when she sees it .'' - Susan: ''I bet poison ivy runs when it sees her.''
Wyatt Earp (James Garner) about Calamity Jane in Sunset (1988): ''Mary Jane Canary was a dear and selfless woman , but she looked like an unmade bed .''
Bert Rigby (Robert Lindsay) to Meredith Perlstein (Anne Bancroft) in Bert Rigby, You're a Fool (1989): 'I find you a very, very desirable woman and if you and I were to get-physical together my eyes would cross permanently and she'd [girlfirned] notice that.'
Norma Lindt (Evelyn Ankers) and Ferdie Jones (Lou Costello) in Hold That Ghost (1941): - Norma: 'What happened to Camille?' - Ferdie: 'Me and her had a runaway marriage .' - Norma: 'A runaway marriage?' - Ferdie: 'Yeah. She got the marriage license and I run away.'
Lady Lou (Mae West) in She Done Him Wrong (1933): - Friend: ''Ah, Lady Lou, you''re a fine gal , a fine woman .'' - Lady Lou: ''One of the finest women that ever walked the streets .''
''I would have stood and fought back to back with you, but you taught me something I didn''t even know myself. When a woman can love a man right down to her fingertips, she can hate him the same way .'' China Doll Portland (Jean Harlow) to Alan Gaskell (Clark Gable) in China Seas (1935)
Humorist James Thurber (1894-1961) rephrasing the clich: a woman''s place is in the home/kitchen: ''A woman''s place is in the wrong.'' Of course, as Lady Lou (Mae West) says in She Done Him Wrong (1933): ''When women go wrong, men go right after them.'' Mort Sahl also paraphrased the clich: ''A woman''s place is in the stove.'' Warrick (Sir Cedric Hardwicke) in Valley of the Sun (1942): ''The way to a woman''s heart is to get her out of the kitchen .''
George Bernard Shaw: ''It is assumed that a woman must wait motionless, until she is wooed. This is how the spider waits for the fly .''
Benjy Stone (Mark Linn-Baker) and Alan Swan (Peter O''Toole) about women in general in My Favorite Year (1982): - BenjyStone:''I don''t know what she wants.'' - Alan Swan:''Romance, Stone. That''s the only thing we can be sure they all want.''
Mae West: ''An orgasm a day keeps the doctor away.'' As Mavis Arden in Go West, Young Man she said: ''A thrill a day keeps the chills away.''
''I would have stood and fought back to back with you, but you taught me something I didn''t even know myself. When a woman can love a man right down to her fingertips, she can hate him the same way .'' China Doll Portland (Jean Harlow) to Alan Gaskell (Clark Gable) in China Seas (1935)
Lady Lou (Mae West) in She Done Him Wrong (1933): - Friend: ''Ah, Lady Lou, you''re a fine gal , a fine woman .'' - Lady Lou: ''One of the finest women that ever walked the streets .''
Wayne Campbell (Mike Meyers) speaking of model Claudia Schiffer in Wayne''s World (1992): ''She''s a babe! She tested very high on the Stroke-Ability-Scale .''
Wayne Campbell (Mike Meyers) speaking of model Claudia Schiffer in Wayne''s World (1992): ''She''s a babe! She tested very high on the Stroke-Ability-Scale .''
R.K. Maroon (Alan Tilvern) to Eddie Valiant (Bob Hoskins) speaking about Roger's wife , Jessica Rabbit in Who Framed Roger Rabbit (1988): 'His wife is poison, but he thinks she's Betty Crocker.'
Dr. Noah Praetorius (Cary Grant) to his wife Debra Higgins (Jeanne Crain) in People Will Talk (1951): 'The woman has yet to be born who doesn't in her heart believe she'll make her husband a better wife than he has any possible right to expect.'
Rhoda Philbrooke (Carole Lombard) in The Racketeer (1930): ''Don''t ask me why. Don''t ever ask a woman why she wants to cry. Just let her.''
Rhoda Philbrooke (Carole Lombard) in The Racketeer (1930): ''Don''t ask me why. Don''t ever ask a woman why she wants to cry. Just let her.''
Rhoda Philbrooke (Carole Lombard) in The Racketeer (1930): ''Don''t ask me why. Don''t ever ask a woman why she wants to cry. Just let her.''
Sir Guy Grand (Peter Sellers) to the Board of Directors in The Magic Christian (1969): ''May I take a page from our late great Rudy the Kip Kipling? Let our Kipling speak: There was a young lady from Exeter / All the young men threw their sex at her / Just to be rude / She lay in-the-nude / While her parrot, a pervert , took pecks at her.''
Miles Monroe (Woody Allen) in Sleeper (1973): ''Ma, I''ve got-something to tell you. Arlene and I have to get a divorce . She thinks I''m a pervert because I drank our water bed .''
Nelson (Tim Robbins) and Mona (Jennifer Tilly) in No Small Affair (1984): - Nelson: ''Hey, Mona, what''s your bra size?'' - Mona: ''Multiply the length of your dick by ten and add your I.Q.'' - Nelson: ''Ask a simple question she gives you a math problem.''
Nelson (Tim Robbins) and Mona (Jennifer Tilly) in No Small Affair (1984): - Nelson: ''Hey, Mona, what''s your bra size?'' - Mona: ''Multiply the length of your dick by ten and add your I.Q.'' - Nelson: ''Ask a simple question she gives you a math problem.''
Nelson (Tim Robbins) and Mona (Jennifer Tilly) in No Small Affair (1984): - Nelson: ''Hey, Mona, what''s your bra size?'' - Mona: ''Multiply the length of your dick by ten and add your I.Q.'' - Nelson: ''Ask a simple question she gives you a math problem.''
Nelson (Tim Robbins) and Mona (Jennifer Tilly) in No Small Affair (1984): - Nelson: ''Hey, Mona, what''s your bra size?'' - Mona: ''Multiply the length of your dick by ten and add your I.Q.'' - Nelson: ''Ask a simple question she gives you a math problem.''
Bob Weston (Tony Curtis) to psychologist Helen Gurley Brown (Natalie Wood) in Sex and the Single Girl (1964): ''She''d hit the ceiling if she thought you and me were sitting here alone. You know what she''d figure? She''d figure a broad as pretty as you as got to be on-the-make .''
Jonathan (Jack Nicholson) speaking of Cindy (Rita Moreno) in Carnal Knowledge (1971): ''You know her problem? She wants balls .''
Abe (Alan King) in Memories of Me (1988): ''At my age you worry about two things. One, you''re with a woman and she says, let''s do-it again right now, and the other is, who''s going to come to my funeral?''
Garth Algar (Dana Carvey) in Wayne''s World (1992): ''That''s a babe! She makes me feel kind-a funny, like when we used to climb the rope in gym class.''
Wayne Campbell (Mike Meyers) and Garht Algar (Dana Carvey) about model Claudia Schiffer in Wayne''s World (1992): - Wayne: ''She''s a babe!'' - Garth: ''She''s magically babe-a-licious!'' - Wayne: ''She tested very high on the Stroke-Ability-Scale .''
Matt Nolan (James Cagney) in Taxi! (1932): ''I wouldn''t go-for that dame if she was the last woman on earth... and I''d just got out of the navy.''
Waldo Lydecker (Clifton Webb) to Det. Mark McPherson (Dana Andrews) in Laura (1944): - Waldo: ''Did you ever know a woman who wasn''t a doll or a dame?'' - Mark: ''Yes, one, but she kept walking me past furniture windows to look at the parlor suites.''
Nelson (Tim Robbins) and Mona (Jennifer Tilly) in No Small Affair (1984): - Nelson: ''Hey, Mona, what''s your bra size?'' - Mona: ''Multiply the length of your dick by ten and add your I.Q.'' - Nelson: ''Ask a simple question she gives you a math problem.''
Carolyn Burnham (Annette Bening) and Lester Burnham (Kevin Spacey) in American Beauty (1999): - Carolyn: ''Your father seems to think this type of behavior is something to be proud of.'' - Lester: ''And your mother seems to prefer I go-through life like a fucking prisoner while she keeps my dick in a mason jar under the sink.''
Roslyn Taber (Marilyn Monroe) explaining why she is divorcing in The Misfits (1961): ''If I''m going to be alone, I want to be by myself.''
Miles Monroe (Woody Allen) in Sleeper (1973): ''Ma, I''ve got-something to tell you. Arlene and I have to get a divorce . She thinks I''m a pervert because I drank our water bed .''
Waldo Lydecker (Clifton Webb) to Det. Mark McPherson (Dana Andrews) in Laura (1944): - Waldo: ''Did you ever know a woman who wasn''t a doll or a dame?'' - Mark: ''Yes, one, but she kept walking me past furniture windows to look at the parlor suites.''
French author Franois Rabelais (1494-1553) (Translation by Sir Thomas Urquhart, 1653): ''These two did often do-the-two-backed-beast together in so far that at last she became great-with-child .''
Laney Boggs (Rachael Cook) and Jesse Jackson (Elden Ratliff) in She?s All That (1999): - Laney Boggs: ''Screw the dolphins!'' - Jesse Jackson: ''A guy tried that last year, banned from Sea World for life .''
''She turns over, peels off them orange pants, spreads her legs real wide and says to me: take a bite of peach!'' Sailor Ripley (Nicolas Cage) in Wild at Heart (1990)
''You know Effie. When she gets riled up , she''''l fight a rattlesnake and give it the first two bites. '' Egbert Floud (Charlie Ruggles) speaking of his wife in Ruggles of Red Gap (1935)
''I never knew a woman to look better in the morning than she does at night.'' Gay Langland (Clark Gable) to Roslyn Taber (Marilyn Monroe) in The Misfits (1961)
Claude Eastman (Dudley Moore) and Norman Robbins (Albert Brooks) speaking of wives in general in Unfaithfully Yours (1983): - Claude: ''She is cute .'' - Norman: ''They''re all cute the first year.''
Alma (Thelma Ritter) to Jan Morrow (Doris Day) in Pillow Talk (1959): ''If there''s anything worse than a woman living alone, it''s a woman saying she likes it .''
Sgt. Jack Colt (Emilio Estevez) reminiscing about his ex-partner in National Lampoon's Loaded Weapon I (1993): 'When Claire was excited she peed on my leg'. Jack Colt was very fond-of his ex-partner... a police dog named Claire.
China Doll Portland (Jean Harlow) to Alan Gaskell (Clark Gable) in China Seas (1935): ''I would have stood and fought back to back with you, but you taught me something I didn''t even know myself. When a woman can love a man right down to her fingertips, she can hate him the same way .''
Johnny Farrell (Glenn Ford) thinking of his ex-girlfriend Gilda (Rita Hayworth) now the wife of his boss in Gilda (1946):''I hated her so I couldn''t get her out of my mind for a minute. She was in the air I breathed and the food I ate.''
Lady Lou (Mae West) in She Done Him Wrong (1933): - Friend: ''Ah, Lady Lou, you''re a fine gal , a fine woman .'' - Lady Lou: ''One of the finest women that ever walked the streets .''
Oliver Webb (Walter Connelly) and Owen O''Malley (Roscoe Karns) speaking of director Oscar Jaffe''s (John Barrymore) obsession with stage star Lily Garland/Mildred Plotka (Carole Lombard) in Twentieth Century (1934): - Oliver:''Do you know how much he paid for long distance calls to Hollywood last year? Eighteen hundred bucks! And she hung-up-on him every time.'' - Owen:''In some Humpty Dumpty way that was true-love .''
Ed Walters (Tim Robbins) after falling in love-at-first-sight of Catherine Boyd (Meg Ryan) in I.Q. (1994): ''You wouldn''t believe it . I looked at her, she looked at me, and it happened. You could feel it . It was like death, but in a good way .''
'Ah, Cassandra. What a babe . Schling! She'd give a dog a bone(r).' Wayne Campbell (Mike Myers) about Cassandra (Tia Carrere) in Wayne's World 2 (1993)
Captain Cummings (Cary Grant) and Lady Lou (Mae West) in She Done Him Wrong (1933) - Captain Cummings: ''Haven''t you ever met a man who could make you happy?'' - Lady Lou: ''Sure, lots of times.''
'What is that man doing in my drawers!?' Nora Charles (Myrna Loy) when she sees a detective searching her commode drawers in The Thin Man (1934)
Bill Dolworth (Burt Lancaster) spying of the revolutionary stronghold spots an old friend in The Professionals (1966): 'Lieutenant Sisi Chickita. Now there's a woman worth a ransom. She never says no .'
Fun-loving Flicienne (Eva Gabor) explains how she came to take a champagne bath with a Duke in A New Kind of Love (1963): 'How could I say no when it's so much easier to say yes?'
'Right there between your legs! Pull on it!' Allan Quatermain (Richard Chamberlain) to Jesse Huston (Sharon Stone) in King Solomon's Mines (1985): She's flying a biplane at the time.
Captain Cummings (Cary Grant) and Lady Lou (Mae West) in She Done Him Wrong (1933) - Captain Cummings: ''Haven''t you ever met a man who could make you happy?'' - Lady Lou: ''Sure, lots of times.''
Anne Ashmond''s (Sarah Churchill) answer to Tom Bowen''s (Fred Astaire) question why she had chosen to become a dancer in Royal Wedding (1951): ''I figured that if I danced when I was happy I should be happy when I danced.''
Lady Lou (Mae West) in She Done Him Wrong (1933): - Friend: ''Ah, Lady Lou, you''re a fine gal , a fine woman .'' - Lady Lou: ''One of the finest women that ever walked the streets .''
Lady Lou (Mae West) in She Done Him Wrong (1933): - Friend: ''Ah, Lady Lou, you''re a fine gal , a fine woman .'' - Lady Lou: ''One of the finest women that ever walked the streets .''
Mae West: 'An orgasm a day keeps the doctor away.' As Mavis Arden in Go West, Young Man she said: 'A thrill a day keeps the chills away.'
George Bernard Shaw: ''It is assumed that a woman must wait motionless, until she is wooed. This is how the spider waits for the fly .''
Humorist James Thurber (1894-1961) rephrasing the clich: a woman''s place is in the home/kitchen: ''A woman''s place is in the wrong.'' Of course, as Lady Lou (Mae West) says in She Done Him Wrong (1933): ''When women go wrong, men go right after them.'' Mort Sahl also paraphrased the clich: ''A woman''s place is in the stove.'' Warrick (Sir Cedric Hardwicke) in Valley of the Sun (1942): ''The way to a woman''s heart is to get her out of the kitchen .''
Benjy Stone (Mark Linn-Baker) and Alan Swan (Peter O''Toole) about women in general in My Favorite Year (1982): - BenjyStone:''I don''t know what she wants.'' - Alan Swan:''Romance, Stone. That''s the only thing we can be sure they all want.''
Lady Lou (Mae West) in She Done Him Wrong (1933): - Friend: ''Ah, Lady Lou, you''re a fine gal , a fine woman .'' - Lady Lou: ''One of the finest women that ever walked the streets .''
''I would have stood and fought back to back with you, but you taught me something I didn''t even know myself. When a woman can love a man right down to her fingertips, she can hate him the same way .'' China Doll Portland (Jean Harlow) to Alan Gaskell (Clark Gable) in China Seas (1935)
George Bernard Shaw: ''It is assumed that a woman must wait motionless, until she is wooed. This is how the spider waits for the fly .''
Humorist James Thurber (1894-1961) rephrasing the clich: a woman''s place is in the home/kitchen: ''A woman''s place is in the wrong.'' Of course, as Lady Lou (Mae West) says in She Done Him Wrong (1933): ''When women go wrong, men go right after them.'' Mort Sahl also paraphrased the clich: ''A woman''s place is in the stove.'' Warrick (Sir Cedric Hardwicke) in Valley of the Sun (1942): ''The way to a woman''s heart is to get her out of the kitchen .''
Benjy Stone (Mark Linn-Baker) and Alan Swan (Peter O''Toole) about women in general in My Favorite Year (1982): - BenjyStone:''I don''t know what she wants.'' - Alan Swan:''Romance, Stone. That''s the only thing we can be sure they all want.''
''You know , there''s nothing I like better than to meet a high-class mama that can snap back at you. Because the colder they are the hotter they get . That''s what I always say. Yes Sir! When a cold mama gets hot , boy! how she sizzles (...) Believe me sister, I could go-for you in a big way .'' Oscar ''One-On-The-Side'' Shapely (Roscoe Karns) to Ellie Andrews (Claudette Colbert) in It Happened One Night (1934)
Finn (Winona Ryder) to Marianna (Alfre Woodard) in How to Make an American Quilt (1995): 'You see , what they don't tell us is that marriage is this anachronistic institution created for the sole convenience of the father who needs to pass off his daughters to the care of another man . Like 'here, here, she eats too much. Take her off my hands', you know? But now, now that we've gotten our independence, that we earn our own livings, there's no purpose to being someone's wife . Why can't we love as many people as we want in a lifetime?'
Clarence Day (William Powell) having a father-to-son talk about women with Clarence, Jr. (Jimmy Lydon) in Life with Father (1947): - Clarence Sr.: ''All you have to do is be firm.'' - Clarence Jr.: ''Yes, but Father, what can you do when they cry?'' And later: ''You see Clarence, we men have to run this world and it''s not an easy job . It takes work and it takes thinking. A man has to reason things out . Now, you take a woman . A woman thinks... No, I''m wrong right there. A woman doesn''t think at all. She get''s stirred up .''
Clarence Day (William Powell) having a father-to-son talk about women with Clarence, Jr. (Jimmy Lydon) in Life with Father (1947): - Clarence Sr.: 'All you have to do is be firm.' - Clarence Jr.: 'Yes, but Father, what can you do when they cry?' And later: 'You see Clarence, we men have to run this world and it's not an easy job . It takes work and it takes thinking. A man has to reason things out . Now, you take a woman . A woman thinks... No, I'm wrong right there. A woman doesn't think at all. She get's stirred up .'
Clarence Day (William Powell) having a father-to-son talk about women with Clarence, Jr. (Jimmy Lydon) in Life with Father (1947): - Clarence Sr.: 'All you have to do is be firm.' - Clarence Jr.: 'Yes, but Father, what can you do when they cry?' And later: 'You see Clarence, we men have to run this world and it's not an easy job . It takes work and it takes thinking. A man has to reason things out . Now, you take a woman . A woman thinks... No, I'm wrong right there. A woman doesn't think at all. She get's stirred up .'
Taylor (Mark Harmon) and Veronica (Madeleine Stowe) in Worth Winning (1989): - Taylor: ''Veronica, it is not real life , it is a fairy tale. Come on! Did you ever read The Frog Prince? In that one he''s staying a frog until she kisses him and brings him back to life .'' - Veronica : ''Yeah, well I kissed a lot of frogs and I haven''t met a prince yet.'' - Taylor: ''You''re kissing the wrong frogs. It''s hard to find the right person. It''s a search, a process. I don''t think it''s supposed to be easy.'' -Veronica: ''You know , some say you have to kiss a frog twice.''
Tillie Schlaine (Carol Burnett) to Pete Seltzer (Walter Matthau) in Pete ''n'' Tillie (1972): - Tillie: ''What do you think?'' - Pete: ''I think you are a fine-figure of a woman .'' - Tillie: ''I wasn''t asking about me. I was asking about the apartment.'' - Pete: ''Oh. It needs a man''s touch .'' -Tillie: ''Incidentally, for future reference, no woman who fancies she has a good-figure likes to hear she''s a fine-figure of a woman . The two aren''t the same at all.''


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shanker
shanking
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share a bed with
share a pillow with
share a sexual embrace
share bed and board
share one's bed
sharp and blunt
sharpen the pencil
shatter the seal
shattered seal
shattis
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she-bop
she-male
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