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w/end:
Or: w/e , in classified ads, an abbreviation for well-endowed .


See Also: bust up, double dong, double dude, dual dildo, heavy leather, w/e, yellow, end, abdominal abortion, boodle, bridle string, busted coupling, Cadbury cul-de-sac, call it a day, call it quits, come out of confinement, cum drum, cumdrum, cut loose, deep into leather, dissolve partnership, do the splits, Dreadnought, cheesy bell-end, get out from under, gooseberry maker, grill, dump, safeword, tipout, uncouple, hindside, hysteroscopy, matchrupt, split up, break up, get laid, laid, lollipop, lollypop, mackintosh fun, male menopause, ladies' lollipop, hinder entrance, hind end, switch, tail bone, take someone, teat, ticklers, moonlighting, nether eye, piss pins and needles, piss razor blades, piss broken glass, VICSS, scurvy end, well-endowed, whoopee, wolfbagging, wrecktangle, X-it, XXX, heavy date, coccyx, end pleasure, ex it, fore-pleasure, French tickler, gammon, cat-o-nine-tails, caudal, burner, bustle, break wind, abortion rate, alpha and omega, back end, backside, behind, bell,

Quotes Containing w/end:
Dorothy Parker: ''If all the girls at the Yale Prom were laid end to end , I wouldn''t be at all surprised.''
'Running into an old sweetheart . If all his old sweethearts were laid end to end you could use them as a sidewalk.' Nora Charles (Myrna Loy) about her husband in The Thin Man Goes Home (1944)
A pimp , Buchinski (Robert Hoy) to Dirty Harry/Harry Callahan (Clint Eastwood) in The Enforcer (1976): ''You can end up with your balls in spaghetti sauce .''
Headlines in the Sensation at the end of the movie Transylvania 6-5000 (1985): ''Servants confess: We never had a real hump .''
Uncle Pio (Steven Geray) to Gilda (Rita Hayworth) in Gilda (1946): ''All bad-things end up lonely, little one.''
Vada Saltenfuss (Anna Chlumsky) in My Girl 2 (1994): ''Life''s full of babaric customs, but I hope they all end with a kiss like that.''
The Narrator of Last of the Dogmen (1995): ''Wherever they get to, all good stories begin and end in the same place , and that''s the heart of a man or a woman .''
Gene Garrison (Gene Hackman) about his father in I Never Sang for my Father (1971): 'Death ends a life but it does not end a relationship .'
Bernie Dodd (William Holden) in The Country Girl (1954): 'They all start out as Juliets and end up as Lady Macbeths.'
Bernie Dodd (William Holden) in The Country Girl (1954): ''They all start out as Juliets and end up as Lady Macbeths.''
Bernie Dodd (William Holden) in The Country Girl (1954): 'They all start out as Juliets and end up as Lady Macbeths.'
Brad Majors in Shock Treatment (1981): ''You''re a dead-end, dead-beat, nowhere mister with a kisser like a Mississippi alligator''s sister!''
Brad Majors in Shock Treatment (1981): ''You''re a dead-end, dead-beat, nowhere mister with a kisser like a Mississippi alligator''s sister!''
Paul (John Malkovich), the clown, to Jack (John Cusack), the student, in Shadows and Fog (1992): 'I never do-it with a whore . You start out with a burning desire and you end up in the morning with a burning sensation, if you know what I mean.'
Dorian Gray''s (Hurt Hatfield) answer to his friend Basil Hallward (Lowell Gilmore) who came to comfort him after Sibyl Vane''s suicide in The Picture of Dorian Gray (1945):''It is only shallow people who require years to get rid of an emotion. A man who is master of himself can end a sorrow as easily as he can invent a pleasure. I don''t want to be at the mercy of my emotions.''
Sheila Kingston''s (Rosie O''Donnell) voice over commentary at the end of Exit to Eden (1994): ''So, what did I learn from this case? No matter what your sexual-preference is true-love is still the ultimate fantasy.''
Edward (Eddie Cantor) kissing Sally at the end of Strike Me Pink (1936): - Sally Eilers: ''Where did you learn to kiss like that?'' - Eddie Pink: ''I used to play a bugle for the boyscouts.''
Sugar Kane Kowa (Marilyn Monroe) to Joe/Josephine (Tony Curtis) in Some Like It Hot (1959): ''Story of my life . I always get the fuzzy end of the lollypop .''
Sheila Kingston's (Rosie O'Donnell) voice over commentary at the end of Exit to Eden (1994): 'So, what did I learn from this case? No matter what your sexual-preference is true-love is still the ultimate fantasy.'
Dr. Louis Levy (Martin Bergmann) at the end of Crimes and Misdemeanors (1989): 'Human happiness does not seem to have been included in the design of creation. It is we, with our capacity to love , who give meaning to the indifferent universe. And yet most human beings seem to have the ability to keep trying and even find joy from simple things like their family , their work , and from the hope that future generations might understand more.'
Dr. Louis Levy (Martin Bergmann) at the end of Crimes and Misdemeanors (1989): 'You will notice that what we are aiming at when we fall in-love is a very strange paradox. The paradox consists of the fact that when we fall in-love we are seeking to re-find all or some of the people to whom we were attached as children. On the other hand we ask our beloved to correct all of the wrongs that these early parents or siblings inflicted upon us so that love contains in it the contradiction: the attempt to return to the past and the attempt to undo the past.'
Pat Cooper (Wendy Hiller) to John Malcolm (Burt Lancaster) about his relation with his ex-wife Ann Shankland (Rita Hayworth) in Separate Tables (1958): ''Well, there''s not much to choose between you two, is there? When you''re together, you slash each other to pieces, when you''re apart, you slash yourselves to pieces. '' A form of reconciliation is achieved at the end of the movie with this dialogue: - John: ''You know , don''t you Ann, that we don''t have very much hope together.'' - Ann: ''Have we all that much apart?''
Gwyn (Sarah Jessica Parker) at the end of Miami Rhapsody (1994): 'I guess I look at marriage sort of the same way I look at Miami: It's hot and it's stormy and it's, you know , it's occasionally a little dangerous, but if it's really so awful then why is there still so much traffic?'
Gwyn (Sarah Jessica Parker) at the end of Miami Rhapsody (1994): 'I guess I look at marriage sort of the same way I look at Miami: It's hot and it's stormy and it's, you know , it's occasionally a little dangerous, but if it's really so awful then why is there still so much traffic?'
Lorelei Lee (Marilyn Monroe) to Dorothy Shaw (Jane Russell) who is in-love-with a cheap detective in Gentlemen Prefer Blondes (1953): - Lorelei: 'You don't want to end up with a loveless marriage , do you?' - Dorothy: 'Me?! Loveless?!' - Lorelei: 'That's right. Because if a girl spends all her time worrying about the money she doesn't have, how is she going to have any time for being in love? I want you to find happiness and stop having fun.'
An unintentional by by Marlin Borunki (Dom DeLuise) when Sonny Lawson (Burt Reynolds) is trying to escape from an insane asylum in The End (1978): ''That man''s nuts . Grab him! (or ''em).''
Hud (Paul Newman) in Hud (1963): ''How many honest men do you know? You take the sinners away from the saints, you''re lucky to end up with Abraham Lincoln.''
Paul (John Malkovich) in Shadows and Fog (1992): ''I never do-it with a whore . You start out with a burning desire and you end up in the morning with a burning sensation, if you know what I mean.''
'I really enjoyed playing with you guys. ' This line was not a double-entendre , but it shows how a such a line taken, out of context, can be misinterpreted: Michael Jordan is addressing the Loony Tunes at the end of Space Jam (1996).
Jerry Warrimer (Cary Grant) just before falling prey to such suspicions himself in The Awful Truth (1937: ''That''s the trouble with most marriages today. People are always imagining things. The road to Reno is paved with suspicions. The first thing you know they all end up in a divorce court.''
Jerry Warrimer (Cary Grant) just before falling prey to such suspicions himself in The Awful Truth (1937): ''That''s the trouble with most marriages today. People are always imagining things. The road to Reno is paved with suspicions. The first thing you know they all end up in a divorce court.''
Drag queens Noxema/Zima Jackson/Auntie Noxy (Wesley Snipes) and Chichi Rodriquez (John Leguizamo) in To Wong Foo. Thanks for Everything. Julie Newmar (1995): - Noxema: ''Darling, if you''re going to become a drag-queen , you''re gonna have to learn these things. '' - Chichi: ''What do you mean ''a drag queen''? I am a drag queen!'' - Noxema: ''Oh, child, no , no , no . You''re simply a boy in a dress. When a straight man puts a dress and gets his sexual kick he is a transvestite ; when a man is a woman trapped in a man''s body and has the little operation he is a transsexual ; (...) when a gay man has way too much fashion sense for one gender he is a drag-queen . (...) And when a light little Latin boy puts on a dress he is simply a boy in a dress.'' In the end , they agree to give Chichi the temporary title of ''drag princess .''
Maid Marian (Amy Yasbeck) and Robin (Cary Elwes) in Robin Hood. Men in Tights (1993): - Marian: ''Oh, darling . Don''t despair for it is written on a scroll: One day he who is destined for me shall be endowed with the magical key that will bring an end to my... virginity .'' - Robin: ''Oh, Marian. If only it were me.'' - Marian: ''Oh, if it were you it would be t-w-errific!'' (Marian is wearing a chastity-belt .)
Maid Marian (Amy Yasbeck) and Robin (Cary Elwes) in Robin Hood. Men in Tights (1993): - Marian: ''Oh, darling . Don''t despair for it is written on a scroll: One day he who is destined for me shall be endowed with the magical key that will bring an end to my... virginity .'' - Robin: ''Oh, Marian. If only it were me.'' - Marian: ''Oh, if it were you it would be t-w-errific!'' (Marian is wearing a chastity-belt .)
Mitch Robbins (Billy Crystal) adressing his son''s class in City Slickers (1991):''Value this time in your life , kids, because this is the time in your life when you still have your choices. It goes by so fast. When you''re a teenager , you think you can do anything and you do . Your twenties are a blur. Thirty, you raise your family , you make a little money and you think to yourself: What happened to my twenties? Forties, you grow a little pot belly , you grow another chin. The music starts to get too loud. One of your old girlfriends from high school becomes a grandmother. Fifties, you have a minor surgery. You''ll call-it ''a procedure'' but it''s a surgery. Sixties, you''ll have a major surgery. The music is still loud but it doesn''t matter because you can''t hear it anyway. Seventies, you and the wife retire to Fort Lauderdale, start eating dinner at two o''clock in the afternoon . You have lunch around ten , breakfast the night before. Spend most of your time wandering around malls, looking for the ultimate soft yogourt and muttering: How come the kids don''t call? The eighties, you have a major stroke . You end up blabbering to some Jamaican nurse that your wife can''t stand and that you call mama. Any questions?''


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